Thoras Song Ashtaroth by Adam Lindsay Gordon

Thoras Song Ashtaroth , Born in 1833 in the Azores, Adam Lindsay Gordon was one of the premier Australian poets of the 19th Century although he was little recognized in his own lifetime. His father was traveled through India and Australasia before settling back down in Cheltenham, England, where Gordon went to school. Whilst he was an accomplished sportsman he was not the most dedicated student, even when he moved to a military academy in Woolwich.

 

Thoras Song Ashtaroth by Adam Lindsay Gordon

 

Thoras Song Ashtaroth by Adam Lindsay Gordon

We severed in Autumn early,
Ere the earth was torn by the plough;
The wheat and the oats and the barley
Are ripe for the harvest now.
We sunder’d one misty morning
Ere the hills were dimm’d by the rain;
Through the flowers those hills adorning —
Thou comest not back again.

My heart is heavy and weary
With the weight of a weary soul;
The mid-day glare grows dreary,
And dreary the midnight scroll.
The corn-stalks sigh for the sickle,
‘Neath the load of their golden grain;
I sigh for a mate more fickle —
Thou comest not back again.

The warm sun riseth and setteth,
The night bringeth moistening dew,
But the soul that longeth forgetteth
The warmth and the moisture too.
In the hot sun rising and setting
There is naught save feverish pain;
There are tears in the night-dews wetting —
Thou comest not back again.

Google News For Englishgoln 35 Thoras Song Ashtaroth by Adam Lindsay Gordon

Thy voice in my ear still mingles
With the voices of whisp’ring trees,
Thy kiss on my cheek still tingles
At each kiss of the summer breeze.
While dreams of the past are thronging
For substance of shades in vain,
I am waiting, watching and longing —
Thou comest not back again.

Waiting and watching ever,
Longing and lingering yet;
Leaves rustle and corn-stalks quiver,
Winds murmur and waters fret.
No answer they bring, no greeting,
No speech, save that sad refrain,
Nor voice, save an echo repeating —
He cometh not back again.

 

Thoras Song Ashtaroth by Adam Lindsay Gordon

 

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