Tag Archives: Amy Lowell

Amy Lowell

JK Huysmans by Amy Lowell

JK Huysmans,Amy Lowell Poems,Poet Amy-Lowell’s literary reputation, marred in her lifetime due to her lifestyle and at times overbearing personality, has in recent years begun to improve as new generations of readers have rediscovered her work.

Born in 1874 in Brookline Massachusetts, Amy-Lowell was the daughter of a prominent New England family, one that encouraged her love of reading and writing. She began writing poetry in 1902, inspired by seeing Eleonora Duse, one of the most beloved actresses of her generation, on stage.

 

 

JK Huysmans by Amy Lowell

A flickering glimmer through a window-pane,
A dim red glare through mud bespattered glass,
Cleaving a path between blown walls of sleet
Across uneven pavements sunk in slime
To scatter and then quench itself in mist.

And struggling, slipping, often rudely hurled
Against the jutting angle of a wall,
And cursed, and reeled against, and flung aside
By drunken brawlers as they shuffled past,
A man was groping to what seemed a light.

His eyelids burnt and quivered with the strain
Of looking, and against his temples beat
The all enshrouding, suffocating dark.

He stumbled, lurched, and struck against a door
That opened, and a howl of obscene mirth
Grated his senses, wallowing on the floor
Lay men, and dogs and women in the dirt.

 

 

He sickened, loathing it, and as he gazed
The candle guttered, flared, and then went out.Through travail of ignoble midnight streets
He came at last to shelter in a porch
Where gothic saints and warriors made a shield
To cover him, and tortured gargoyles spat
One long continuous stream of silver rain
That clattered down from myriad roofs and spires
Into a darkness, loud with rushing sound
Of water falling, gurgling as it fell,
But always thickly dark.

Then as he leaned
Unconscious where, the great oak door blew back
And cast him, bruised and dripping, in the church.

His eyes from long sojourning in the night
Were blinded now as by some glorious sun;
He slowly crawled toward the altar steps.

He could not think, for heavy in his ears
An organ boomed majestic harmonies;
He only knew that what he saw was light!
He bowed himself before a cross of flame
And shut his eyes in fear lest it should fade.

 

 

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In Excelsis by Amy Lowell

In Excelsis,Amy Lowell Poems,Poet Amy-Lowell’s literary reputation, marred in her lifetime due to her lifestyle and at times overbearing personality, has in recent years begun to improve as new generations of readers have rediscovered her work.

Born in 1874 in Brookline Massachusetts, Amy-Lowell was the daughter of a prominent New England family, one that encouraged her love of reading and writing. She began writing poetry in 1902, inspired by seeing Eleonora Duse, one of the most beloved actresses of her generation, on stage.

 

 

In Excelsis by Amy Lowell

You — you —
Your shadow is sunlight on a plate of silver;
Your footsteps, the seeding-place of lilies;
Your hands moving, a chime of bells across a windless air.

The movement of your hands is the long, golden running of light from a rising sun;
It is the hopping of birds upon a garden-path.

As the perfume of jonquils, you come forth in the morning.

Young horses are not more sudden than your thoughts,
Your words are bees about a pear-tree,
Your fancies are the gold-and-black striped wasps buzzing among red apples.
I drink your lips,
I eat the whiteness of your hands and feet.

My mouth is open,
As a new jar I am empty and open.

 

 

Like white water are you who fill the cup of my mouth,
Like a brook of water thronged with lilies.

You are frozen as the clouds,
You are far and sweet as the high clouds.

I dare to reach to you,
I dare to touch the rim of your brightness.
I leap beyond the winds,
I cry and shout,
For my throat is keen as is a sword
Sharpened on a hone of ivory.

My throat sings the joy of my eyes,
The rushing gladness of my love.

How has the rainbow fallen upon my heart?
How have I snared the seas to lie in my fingers
And caught the sky to be a cover for my head? How have you come to dwell with me,
Compassing me with the four circles of your mystic lightness,

So that I say “Glory! Glory!” and bow before you
As to a shrine?Do I tease myself that morning is morning and a day after?
Do I think the air is a condescension,
The earth a politeness,
Heaven a boon deserving thanks?

So you — air — earth — heaven —
I do not thank you,
I take you,
I live.
And those things which I say in consequence
Are rubies mortised in a gate of stone.

 

 

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Free Fantasia on Japanese Themes by Amy Lowell

Free Fantasia on Japanese Themes,Amy Lowell Poems,Poet Amy Lowell’s literary reputation, marred in her lifetime due to her lifestyle and at times overbearing personality, has in recent years begun to improve as new generations of readers have rediscovered her work.

Born in 1874 in Brookline Massachusetts, Amy Lowell was the daughter of a prominent New England family, one that encouraged her love of reading and writing. She began writing poetry in 1902, inspired by seeing Eleonora Duse, one of the most beloved actresses of her generation, on stage.

 

 

Free Fantasia on Japanese Themes by Amy Lowell

All the afternoon there has been a chirping of birds,
And the sun lies warm and still on the western sides of swollen branches.

There is no wind;
Even the little twigs at the ends of the branches do not move,
And the needles of the pines are solid
Bands of inarticulated blackness
Against the blue-white sky.Still, but alert;
And my heart is still and alert,
Passive with sunshine,
Avid of adventure.

I would experience new emotions,
Submit to strange enchantments,
Bend to influences
Bizarre, exotic,
Fresh with burgeoning.

I would climb a sacred mountain,
Struggle with other pilgrims up a steep path through pine-trees,
Above to the smooth, treeless slopes,
And prostrate myself before a painted shrine,
Beating my hands upon the hot earth,
Quieting my eyes upon the distant sparkle
Of the faint spring sea.

 

 

I would recline upon a balcony
In purple curving folds of silk,
And my dress should be silvered with a pattern
Of butterflies and swallows,
And the black band of my obi
Should flash with gold circular threads,
And glitter when I moved.

I would lean against the railing
While you sang to me of wars
Past and to come—
Sang, and played the samisen.

Perhaps I would beat a little hand drum
In time to your singing;
Perhaps I would only watch the play of light
Upon the hilt of your two swords.

I would sit in a covered boat,
Rocking slowly to the narrow waves of a river,
While above us, an arc of moving lanterns,
Curved a bridge,
A hiss of gold
Blooming out of darkness,
Rockets exploded,
And died in a soft dripping of colored stars.

We would float between the high trestles,
And drift away from other boats,
Until the rockets flared soundless,
And their falling stars hung silent in the sky,
Like wistaria clusters above the ancient entrance of a temple.I would anything
Rather than this cold paper;
With outside, the quiet son on the sides of burgeoning branches,
And inside, only my books.

 

 

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Diya by Amy Lowell

Diya,Amy Lowell Poems,Poet Amy Lowell’s literary reputation, marred in her lifetime due to her lifestyle and at times overbearing personality, has in recent years begun to improve as new generations of readers have rediscovered her work.

Born in 1874 in Brookline Massachusetts, Amy-Lowell was the daughter of a prominent New England family, one that encouraged her love of reading and writing. She began writing poetry in 1902, inspired by seeing Eleonora Duse, one of the most beloved actresses of her generation, on stage.

 

 

Diya by Amy Lowell

Look, Dear, how bright the moonlight is to-night!
See where it casts the shadow of that tree
Far out upon the grass.

And every gust
Of light night wind comes laden with the scent
Of opening flowers which never bloom by day:
Night-scented stocks, and four-o’clocks, and that
Pale yellow disk, upreared on its tall stalk,
The evening primrose, comrade of the stars.

It seems as though the garden which you love
Were like a swinging censer, its incense
Floating before us as a reverent act
To sanctify and bless our night of love.

Tell me once more you love me, that ‘t is you
Yes, really you, I touch, so, with my hand;
And tell me it is by your own free will
That you are here, and that you like to be
Just here, with me, under this sailing pine.

I need to hear it often for my heart
Doubts naturally, and finds it hard to trust.

Ah, Dearest, you are good to love me so,
And yet I would not have it goodness, rather
Excess of selfishness in you to need
Me through and through, as flowers need the sun.

 

 

I wonder can it really be that you
And I are here alone, and that the night
Is full of hours, and all the world asleep,
And none can call to you to come away;
For you have given all yourself to me
Making me gentle by your willingness.

Has your life too been waiting for this time,
Not only mine the sharpness of this joy?
Dear Heart, I love you, worship you as though
I were a priest before a holy shrine.

I’m glad that you are beautiful, although
Were you not lovely still I needs must love;
But you are all things, it must have been so
For otherwise it were not you.

Come, close;
When you are in the circle of my arm
Faith grows a mountain and I take my stand
Upon its utmost top.

Yes, yes, once more
Kiss me, and let me feel you very near
Wanting me wholly, even as I want you.

Have years behind been dark? Will those to come
Bring unguessed sorrows into our two lives?
What does it matter, we have had to-night!
To-night will make us strong, for we believe
Each in the other, this is a sacrament.

Beloved, is it true?

 

 

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Before the Altar by Amy Lowell

Before the Altar,Amy Lowell Poems,Poet Amy-Lowell’s literary reputation, marred in her lifetime due to her lifestyle and at times overbearing personality, has in recent years begun to improve as new generations of readers have rediscovered her work.

Born in 1874 in Brookline Massachusetts, Amy -Lowell was the daughter of a prominent New England family, one that encouraged her love of reading and writing. She began writing poetry in 1902, inspired by seeing Eleonora Duse, one of the most beloved actresses of her generation, on stage.

 

 

Before the Altar by Amy Lowell

Before the Altar, bowed, he stands
With empty hands;
Upon it perfumed offerings burn
Wreathing with smoke the sacrificial urn.
Not one of all these has he given,
No flame of his has leapt to Heaven
Firesouled, vermilion-hearted,
Forked, and darted,
Consuming what a few spare pence
Have cheaply bought, to fling from hence
In idly-asked petition.

His sole condition
Love and poverty.

And while the moon
Swings slow across the sky,
Athwart a waving pine tree,
And soon
Tips all the needles there
With silver sparkles, bitterly
He gazes, while his soul
Grows hard with thinking of the poorness of his dole.”Shining and distant Goddess, hear my prayer
Where you swim in the high air!
With charity look down on me,
Under this tree,
Tending the gifts I have not brought,
The rare and goodly things
I have not sought.

Instead, take from me all my life!”Upon the wings
Of shimmering moonbeams
I pack my poet’s dreams
For you.

My wearying strife,
My courage, my loss,
Into the night I toss
For you.

 

 

Golden Divinity,
Deign to look down on me
Who so unworthily
Offers to you:
All life has known,
Seeds withered unsown,
Hopes turning quick to fears,
Laughter which dies in tears.

The shredded remnant of a man
Is all the span
And compass of my offering to you.

“Empty and silent, I
Kneel before your pure, calm majesty.

On this stone, in this urn
I pour my heart and watch it burn,
Myself the sacrifice; but be
Still unmoved: Divinity.

”From the altar, bathed in moonlight,
The smoke rose straight in the quiet night.

 

 

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Azure and Gold by Amy Lowell

Azure and Gold,Amy Lowell Poems,Poet Amy Lowell’s literary reputation, marred in her lifetime due to her lifestyle and at times overbearing personality, has in recent years begun to improve as new generations of readers have rediscovered her work.

Born in 1874 in Brookline Massachusetts, Amy Lowell was the daughter of a prominent New England family, one that encouraged her love of reading and writing. She began writing poetry in 1902, inspired by seeing Eleonora Duse, one of the most beloved actresses of her generation, on stage.

 

 

Azure and Gold by

April had covered the hills
With flickering yellows and reds,
The sparkle and coolness of snow
Was blown from the mountain beds.Across a deep-sunken stream
The pink of blossoming trees,
And from windless appleblooms
The humming of many bees.

The air was of rose and gold
Arabesqued with the song of birds
Who, swinging unseen under leaves,
Made music more eager than words.

 

 

Of a sudden, aslant the road,
A brightness to dazzle and stun,
A glint of the bluest blue,
A flash from a sapphire sun.Blue-birds so blue, ’twas a dream,
An impossible, unconceived hue,
The high sky of summer dropped down
Some rapturous ocean to woo.

Such a colour, such infinite light!
The heart of a fabulous gem,
Many-faceted, brilliant and rare.

Centre Stone of the earth’s diadem!Centre Stone of the Crown of the World,
“Sincerity” graved on your youth!
And your eyes hold the blue-bird flash,
The sapphire shaft, which is truth.

 

 

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A Japanese Wood-Carving by Amy Lowell

A Japanese Wood-Carving,Amy Lowell Poems,Poet Amy Lowell’s literary reputation, marred in her lifetime due to her lifestyle and at times overbearing personality, has in recent years begun to improve as new generations of readers have rediscovered her work.

Born in 1874 in Brookline Massachusetts, Amy Lowell was the daughter of a prominent New England family, one that encouraged her love of reading and writing. She began writing poetry in 1902, inspired by seeing Eleonora Duse, one of the most beloved actresses of her generation, on stage.

 

 

A Japanese Wood-Carving by Amy Lowell

High up above the open, welcoming door
It hangs, a piece of wood with colours dim.

Once, long ago, it was a waving tree
And knew the sun and shadow through the leaves
Of forest trees, in a thick eastern wood.

The winter snows had bent its branches down,
The spring had swelled its buds with coming flowers,
Summer had run like fire through its veins,
While autumn pelted it with chestnut burrs,
And strewed the leafy ground with acorn cups.
Dark midnight storms had roared and crashed among
Its branches, breaking here and there a limb;
But every now and then broad sunlit days
Lovingly lingered, caught among the leaves.

Yes, it had known all this, and yet to us
It does not speak of mossy forest ways,
Of whispering pine trees or the shimmering birch;
But of quick winds, and the salt, stinging sea!
An artist once, with patient, careful knife,
Had fashioned it like to the untamed sea.

 

 

Here waves uprear themselves, their tops blown back
By the gay, sunny wind, which whips the blue
And breaks it into gleams and sparks of light.

Among the flashing waves are two white birds
Which swoop, and soar, and scream for very joy
At the wild sport.

Now diving quickly in,
Questing some glistening fish.

Now flying up,
Their dripping feathers shining in the sun,
While the wet drops like little glints of light,
Fall pattering backward to the parent sea.

Gliding along the green and foam-flecked hollows,
Or skimming some white crest about to break,
The spirits of the sky deigning to stoop
And play with ocean in a summer mood.

Hanging above the high, wide open door,
It brings to us in quiet, firelit room,
The freedom of the earth’s vast solitudes,
Where heaping, sunny waves tumble and roll,
And seabirds scream in wanton happiness.

 

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A Fairy Tale by Amy Lowell

A Fairy Tale,Amy Lowell Poems,Poet Amy Lowell’s literary reputation, marred in her lifetime due to her lifestyle and at times overbearing personality, has in recent years begun to improve as new generations of readers have rediscovered her work.

Born in 1874 in Brookline Massachusetts, Amy Lowell was the daughter of a prominent New England family, one that encouraged her love of reading and writing. She began writing poetry in 1902, inspired by seeing Eleonora Duse, one of the most beloved actresses of her generation, on stage.

 

 

A Fairy Tale by Amy Lowell

On winter nights beside the nursery fire
We read the fairy tale, while glowing coals
Builded its pictures. There before our eyes
We saw the vaulted hall of traceried stone
Uprear itself, the distant ceiling hung
With pendent stalactites like frozen vines;
And all along the walls at intervals,
Curled upwards into pillars, roses climbed,
And ramped and were confined, and clustered leaves
Divided where there peered a laughing face.

The foliage seemed to rustle in the wind,
A silent murmur, carved in still, gray stone.
High pointed windows pierced the southern wall
Whence proud escutcheons flung prismatic fires
To stain the tessellated marble floor
With pools of red, and quivering green, and blue;
And in the shade beyond the further door,
Its sober squares of black and white were hid
Beneath a restless, shuffling, wide-eyed mob
Of lackeys and retainers come to view
The Christening.

 

A sudden blare of trumpets, and the throng
About the entrance parted as the guests
Filed singly in with rare and precious gifts.
Our eager fancies noted all they brought,
The glorious, unattainable delights!
But always there was one unbidden guest
Who cursed the child and left it bitterness.

The fire falls asunder, all is changed,
I am no more a child, and what I see
Is not a fairy tale, but life, my life.
The gifts are there, the many pleasant things:
Health, wealth, long-settled friendships, with a name
Which honors all who bear it, and the power
Of making words obedient.

This is much;
But overshadowing all is still the curse,
That never shall I be fulfilled by love!
Along the parching highroad of the world
No other soul shall bear mine company.

Always shall I be teased with semblances,
With cruel impostures, which I trust awhile
Then dash to pieces, as a careless boy
Flings a kaleidoscope, which shattering
Strews all the ground about with colored sherds.

So I behold my visions on the ground
No longer radiant, an ignoble heap
Of broken, dusty glass. And so, unlit,
Even by hope or faith, my dragging steps
Force me forever through the passing days.

 

 

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A Coloured Print by Shokei by Amy Lowell

A Coloured Print – Poet Amy Lowell’s literary reputation, marred in her lifetime due to her lifestyle and at times overbearing personality, has in recent years begun to improve as new generations of readers have rediscovered her work.

Born in 1874 in Brookline Massachusetts, Amy Lowell was the daughter of a prominent New England family, one that encouraged her love of reading and writing. She began writing poetry in 1902, inspired by seeing Eleonora Duse, one of the most beloved actresses of her generation, on stage.

 

 

A Coloured Print by Shokei by Amy Lowell

It winds along the face of a cliff
This path which I long to explore,
And over it dashes a waterfall,
And the air is full of the roar
And the thunderous voice of waters which sweep
In a silver torrent over some steep.

It clears the path with a mighty bound
And tumbles below and away,
And the trees and the bushes which grow in the rocks
Are wet with its jewelled spray;
The air is misty and heavy with sound,
And small, wet wildflowers star the ground.

Oh! The dampness is very good to smell,
And the path is soft to tread,
And beyond the fall it winds up and on,
While little streamlets thread
Their own meandering way down the hill
Each singing its own little song, until

I forget that ‘t is only a pictured path,
And I hear the water and wind,
And look through the mist, and strain my eyes
To see what there is behind;
For it must lead to a happy land,
This little path by a waterfall spanned.

 

 

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To Elizabeth Ward Perkins by Amy Lowell

“To Elizabeth Ward Perkins” is a beautiful poem written by Amy Lowell, one of the most prominent American poets of the early 20th century. The poem is a tribute to Elizabeth Ward Perkins, a close friend and patron of Lowell’s work.

The poem is composed of three stanzas, each consisting of four lines. The rhyme scheme is AABB, which gives the poem a sense of balance and symmetry.

In the first stanza, Lowell describes the joy that poetry brings to her life. She compares poetry to a “bird on the wing” that brings beauty and inspiration to her soul. She also mentions the role that Elizabeth Ward Perkins played in her life, providing her with the resources and support she needed to pursue her art.

 

 

In the second stanza, Lowell reflects on the transience of life and the inevitability of death. She acknowledges the passing of time and the fact that all things must come to an end. However, she also suggests that poetry has the power to transcend time and capture the beauty and essence of life.

In the final stanza, Lowell pays tribute to Elizabeth Ward Perkins and the friendship they shared. She describes her friend as a “soul serene” who brought light and warmth to her life. She also suggests that the legacy of their friendship will live on through her poetry, which will continue to inspire and uplift others.

 

 

To Elizabeth Ward Perkins

Dear Bessie, would my tired rhyme
Had force to rise from apathy,
And shaking off its lethargy
Ring word-tones like a Christmas chime.

But in my soul’s high belfry, chill
The bitter wind of doubt has blown,
The summer swallows all have flown,
The bells are frost-bound, mute and still.

Upon the crumbling boards the snow
Has drifted deep, the clappers hang
Prismed with icicles, their clang
Unheard since ages long ago.

The rope I pull is stiff and cold,
My straining ears detect no sound
Except a sigh, as round and round
The wind rocks through the timbers old.

Below, I know the church is bright
With haloed tapers, warm with prayer;
But here I only feel the air
Of icy centuries of night.

Beneath my feet the snow is lit
And gemmed with colours, red, and blue,
Topaz, and green, where light falls through
The saints that in the windows sit.

Here darkness seems a spectred thing,
Voiceless and haunting, while the stars
Mock with a light of long dead years
The ache of present suffering.

Silent and winter-killed I stand,
No carol hymns my debt to you;
But take this frozen thought in lieu,
And thaw its music in your hand.

Amy Lowell Poems

 

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