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Albery Allson Whitman

The End of The Whole Matter by Albery Allson Whitman

The End of The Whole Matter -by Albery Allson Whitman. Albery Allson Whitman was a 19th century African American poet who, despite being born into slavery, carved out a career for himself as a poet and orator. He served as a pastor throughout the south and mid-western regions of the United States. His poetry was universally well received and he became known as the “Poet Laureate of the Negro Race”.

He is included in the anthology African-American Poetry of the Nineteenth Century where his efforts are described as “attempts at full-blown Romantic poetry”. Some even compared his verse to that written by well-known American and British authors who wrote in the Romantic tradition. One of Whitman’s poems is called Ye Bards of England which extols the virtues of the great literary figures from English history and begins:

 

The End of The Whole Matter by Albery Allson Whitman

 

The End of The Whole Matter by Albery Allson Whitman

A tall brave man of gray three score,
The sable columns rode before,
The knightliest of the knightly throng,
The bravest of the brave and strong
Who on the field of Nashville stood
Against the hosts of gallant Hood;
When noble Thomas, mild and brave,
Against the armed master, threw the former slave.Rodney had left his home in foreign lands,
And laid his life into our country’s hands,
His struggling kindred’s conquests proud to share,
For he beheld acknowledged manhood there.
And this the grandest day that ever rose
Upon his life, at its eventful close
Was bringing with it recollections sweet,
That made his old heroic heart with youth’s emotions be atHis country’s banner, soiled and battle-torn,
In sable hands before the columns borne,
Streamed in the setting sun’s deep golden light,
And rivaled Heaven in her blazon bright.
The drums of victory clamored on his ear;
The bugle’s wail of rest was ringing clear,
Thunder of wheels was in the distance roaring,
And into camp the weary victors pouring.
He saw that Slav’ry’s days were numbered now,
Far death’s cold damp hung on her pallid brow.And looking now upon his left and right,
Two proud sons who had ridden thro’ the fight
With him, rode there with martial mien and brave,
The off’rings which Leeona’s bosom gave
The country that had chased her as a slave.
He saw his sons, and prouder felt than he
Who took Rebellion’s sword from famous Lee.This was the day when Southern chivalry
Beheld black manhood clothed in liberty,
Step from the shadow of his centuries
Of bondage, shake dejection from his eyes,
And to the awful verge of valor rise.
The day that heard the negro, scarred and maimed,
On sovereign battle’s lips a man proclaimed.The hosts of Sherman marching to the sea,Beneath Rebellion’s trembling canopy
Swept like a thunder storm, whose lightnings catch
The shaking hills with hands of flame, and snatch
Their mighty forests down. The Nation then
Lifted her hands to Heaven and praised the men
Who cleaved their way by hard incessant blows,
From where the hills of Cumberland arose,
And at the Northern door of Slavedom heldTheir watch, to where the Mexic Ocean swelled;
Wrenching fair victory from brave hands and true
As e’er on foe the steel of battle drew,
The Alpine strength of strongholds sweeping down,
And treading under foot each hostile town.
Then fair applause warmed her white hands with claps,
And bright-faced greetings at all doors gave raps,
Gray bearded gratitude bowed on his knees,
And cheering cities flamed with jubilees.But soon a change came o’er the Nation’s face,
The light of mirth to clouds of fear gave place.
The chiming bells that jubilantic rung,
Now hushed their throats or spoke with doleful tongue.
The mazy dance held her light-booted feet,
And music soft suppressed her murmurs sweet.
Sad-faced religion sought the church once more,
And faith went back to do her first works o’er.The gallant Hood, intrepid Sherman knew
Would cleave the Slaveholder’s domains in two,
So, as that military comet went
To Southward, he his swift flight Northward bent.
The Union struck at proud Rebellion’s heart;
Rebellion aimed at her same vital part,
And doubtless had a wound most painful made,

Had not the Union’s negro arm displayed
Such valiant strength in warding off the blow,
And striking down the strong and gallant foe.
As Rodney rode to camp this glorious day,
He heard a dying soldier by his way,
Half hidden ‘mong his mangled comrades pray.
His tortured soul of ruin conscious cried,
Raved thro’ its mansion dark from side to side,
Rose to the eyes and stood with dreadful glare,
Ran to the heart, and fluttered, groaning there,
And shuddering in the awful shades of woe,

Sank down in mortal dread and pleaded not to go.
As hope forever bade her host farewell,
Now mem’ry came into the soul’s dark cell,
And with the wrongs of unrepented yore,
Manacled her, and chained her to the floor.

Remorse then followed with the criminal’s scourge,
Her pris’ner seized, and dragged towards the verge
Of mis’ry bottomless, and ‘mid the smoke
Of black torment, that rolled and spread and broke,
Laid on her lash of scorpions with heavy stroke.

“Oh, Lord!” the sufferer cries, “have mercy now!
I would pray right, Lord Jesus, teach me how!
Ah! I’ve insulted thee, I know, I own,
But Savior, make thy boundless mercies known;
Oh, life misspent, could I but now recall!
Leeona, Rodney, ah! forgive me all.
Help! water! water! water, or I die!”

“Who’s here?” cries Rodney, quickly turning by,
The dying man stares on the speaker brave,
In ghastly silence, as the whisper “save!”
Falls from his lips; then like a madman yells,
And rolls his painful balls within their fevered cells.

Rodney forgets the wrongs of other years,
As wretchedness’ bitter cry he hears;
The red wounds that with parched lips appeal
To heav’n he sees, and can’t his tears conceal.
He kneels upon the ground where Aylor lies,
His canteen to his quiv’ring lips applies

,
The sinking body in his arms doth rest,
And leans his throbing head against his breast.
Now stooping o’er, the hero hears the cry:
“Rodney, I know, forgive me ere I die!
Leeona tell” — he fixes here his eyes,
And still in death, on Rodney’s bosom lies.

And now my country let us bury all
Our blunders sad beneath grim battle’s pall.
Gathered beneath the storm’s heroic folds,
While our dear land an aching bosom holds,
Let us forget the wrongs of blue and grey,
In gazing on the grandeur of the fray.

Now let the vanquished his repentant face
Lean in the victor’s merciful embrace,
And let the victor, with his strong arm heal
The bleeding wounds that gape beneath his steel.
And may no partial hand attempt a lay
Of praise, as due alone to blue or grey.
The warrior’s wreath may well by both be worn,
For braver man than either ne’er was born.

They both have marched to death and victory,
They both have shown heroic misery,
And won the soldier’s immortality.
But scars of honor that they both yet wear,
The proudest testimonials of their valor are.

And where our sons their battle lances drew,
Fought not their sable comrades bravely too?
Let Wagner answer ‘mid the reeking storm,
That mingles with black dead proud Shaw’s fair form.
Ask it of Fisher, and a thousand more
Brave fields that answer with their lips of gore.

And while America’s escutcheon bright,
Is bathed in war-won Freedom’s glorious light,
Forget it not, the colored man will fight.
More patriotism Sparta never knew,
A lance more knightly Norman never threw,
More courage never armed the Roman coasts,
With blinder zeal ne’er rode the Moslem hosts,
And ne’er more stubborn stood the Muscovite,
Than stood the hated negro in the fight.

The war was God-sent, for the battle blade,
Around the seething gangrene, Slavery, laid,
By Heaven’s arm, this side and that was prest,
Until the galling shame dropt from the Nation’s breast.
War was inevitable, for the crimes

That stained our hands (and in the olden times
Engendered) now were Constitutional,
And spreading thro’ the Nation’s body all.
Deep rooted where the vital currents meet
Around the heart of government, their seat
Evaded Legislation’s keenest skill,

Or bent the stoutest edge of human will.
‘Twas then that God the raving Nation threw
Upon her own war lance and from her drew,
By accidental providence, a flood
Of old diseases that lurked in her blood.

Whom Moses witnessed ‘mid old Sinai’s smoke,
Whose arm from Judah’s neck had torn the yoke,
And with it broken Egypt’s bones of pride,
And with his chariots strown the Red Sea tide;
Who stripped the golden crimes from Babel’s throne,
And made his pow’r to Baal’s adorers known;
He stood among us and His right arm bared
To show His ways by seers of old declared.
While millions trembled at Oppression’s nod,

Oppression sank beneath the finger touch of God.
Line upon line the centuries had wrought,
And precept upon precept vainly taught,
The prophets had of old been heard to cry,
While signs and wonders figured in the sky,
And then the Incarnation of all good,

By Jordan’s wave and in the Mount had stood,
And with His hand of gentltness and love
Transcendent, that a heart of stone could move,
Had touched the ties of every human woe,
And loosing fettered mind, said: “Let him go.”
And His great heart to patience ever moved,
And always gentle e’en if He reproved,

Bore this sweet sentence from his sinless Home:
“To preach deliv’rance to the bound I’m come.”
But even then, our country shook her head,
Her eagle wings of independence spread,
One tipped with fires of the Tropic’s glow,
The other lashing in the realms of snow,
And in her pride declared that God’s own Son
Had licensed Slavery’s dark crimes, every one.

And tho’ we shackled Afric’s sable hands,
And scourged her where the smoking altar stands,
And tho’ we loaded down her captive feet
With iron chains, right by the mercy seat,
And tho’ we laid her virgin bosom bare,
And forced her where the fires of off’ring glare;
We smote our conscience with a palm of ease,
And thanked God that his pure eye ever sees!
Who then can wonder that the Lord would smite
The haughty neck that did Him thus despite?

Now let us in the light of future years,
Forget our loss and sacrificial tears,
And thank kind heav’n that tho’ we erred and strayed,
We to the good path our return have made.

Hail dawning Peace! Speed on thy glorious rise!
And with thy beams unseal the nation’s eyes.
Let Islam in the blaze of scimitar
Proclaim his rites, and gorge the fangs of war,
But peace be unto thee, land of our sires,
Whose sacred altar flames with holier fires!
Let lawlessness no longer stagger forth
With his destructive torch, nor South nor North;

And let the humblest tenant of the fields,
Secured of what his honest labor yields,
Pursue his calling, ply his daily care,
His home adorn and helpless children rear,
Assured that while our flag above him flies,
No lawless hand can dare molest his joys.

Lo! from yon hights, land of the rising star,
The hands of Freedom beckon from afar,
And mid the glad acclaims of roused mankind
Fling her immortal standard to the wind;
Speed there thy flight, and lead the glorious train
That swell the lofty tributes of her reign.
Thy hands are wrested from the tyrant’s hold,
Thy name on Time’s illustrious page enrolled,
And thy escutcheon bright, embossed with gold.

From Erie’s rock-watched shores to Mexic’s sands,
No more the bondman wrings his fettered hands;
No more entreaty’s sable face thro’ tears,
Looks on for succor thro’ the weary years;
For Freedom’s holy dawn is now begun,
And earth rejoices ‘neath her rising sun.
Requited toil content pursues his care,
Walks with bold strides as free as heaven’s air;
The gen’rous fields put on their aspect sweet,

And forests blithe their hymns of God repeat.
Dear western woods! thou harbors of the free,
With youthful hearts we wander back to thee,
And ere these numbers hush, once more would lie
Beneath thee stretched and gaze upon the sky.
Thou art more proud than Windsor’s lofty shade,
By poet sung, or by the sage portrayed.

No lordly despot o’er thy ample grounds,
Sways ancient titles and proclaims his bounds;
But each poor tenant owns his humble plot,
Tills his neat farm and rears his friendly cot.
The weary trav’ler ‘long thy roads may lie,
As peaceful as the brook that rambles by,
From boughs that drop with plenty gather food,
And o’er his dear ones rear a shelter rude.
Thou noble seats! fit theme of bard or sage,
Beneath thy bow’rs leans venerable age,

While from the summit of his stalwart years,
His life’s calm twilight slowly disappears,
And hope’s sweet sunrise in the future nears.
And where smooth paths thy solemn shades divide,
Walks buoyant toil with young love at his side,
And charmed by songs that ev’ry zephyr shakes
From boughs around, his hopeful journey takes.
And flaxen childhood there the live-long day,
In blithe sports whirls and wanders far away.

Oh comrade freemen strike your hands to stand
Like walls of rock and guard our father-land!
Oh guard our homes and institutions free,
The price of blood and valor’s legacy.
Awake to watch, ye sovereign sons of toil!
If despot feet e’re touch our country’s soil,
Fly to the standard that by freemen born,
The glory of a hundred years has worn,
Blood-stained, yet bright, streaming, but battle-torn,

And rally till the last drop from the veins
Of free America flows on our plains.
Eternal vigilance must light the tower,
Whose granite strength can bide the evil hour,
Whose wave-dashed base defies the tempest’s shock,
Builded upon the everlasting rock.
At last, proud land, let potent wisdom write
Her name above thy brow in glorious light,
And suffer ne’er thy hands to idle rest

Till learning lights thy humblest subject’s breast.
In cities tall, and in the hamlet rude,
Suffer no partial hand to e’er exclude
A single poor from fair instruction’s halls,
But write Equality on all her walls.
An equal chance in life, and even start,
Give every one and let him play his part.
But who could, with complacence on his face,
First bind one’s feet, then challenge for a race?
I would not own I was a thing so small,

I’d rather own I was no man at all,
Than show that I must some advantage take,
The race of life respectably to make.
Say my facilities must all be best,
Then write excelsior upon my crest?
Nay, rather let me weed the hardest row,
And rise above by toiling from below.

Free schools, free press, free speech and equal laws,
A common country and a common cause,
Are only worthy of a freeman’s boasts —
Are Freedom’s real and intrinsic costs.
Without these, Freedom is an empty name,
And war-worn glory is a glaring shame.
Soon where yon happy future now appears,
Where learning now her glorious temple rears,

Our country’s hosts shall round one interest meet,
And her free heart with one proud impulse beat,
One common blood thro’ her life’s channels flow,
While one great speech her loyal tongue shall know.
And soon, whoever to our bourne shall come,
Jew, Greek or Goth, he here shall be at home.
Then Ign’rance shall forsake her crooked ways,
And poor old Caste there end her feeble days.

 

Stonewall Jackson by Albery Allson Whitman

Stonewall Jackson-Albery Allson Whitman. Albery Allson Whitman was a 19th century African American poet who, despite being born into slavery, carved out a career for himself as a poet and orator. He served as a pastor throughout the south and mid-western regions of the United States. His poetry was universally well received and he became known as the “Poet Laureate of the Negro Race”.

He is included in the anthology African-American Poetry of the Nineteenth Century where his efforts are described as “attempts at full-blown Romantic poetry”. Some even compared his verse to that written by well-known American and British authors who wrote in the Romantic tradition. One of Whitman’s poems is called Ye Bards of England which extols the virtues of the great literary figures from English history and begins:

 

 

Stonewall Jackson by Albery Allson Whitman

Defiant in the cannon’s mouth,
I see a hero of the South,
Serene and tall;
So like a stonewall in the fray
He stands, that wond’ring legions say:
“He is a wall.”He heeded not the fierce onsets
From bristling fields of bayonets;
He heeded not
The thunder-tread of warring steeds,
But holds his men of daring deeds
Right on the spot.And is it insanity?
Nay, this is but the gravity
Of that vast mind,
That, on his Southland’s altar wrought
And forged the bolts of warrior thought
Of thunder-kind.An eagle eye, a vulture’s fight,
A stroke leonine in might;
The man was formed
For that resolving, deep inert
Which sprang stupendously alert,
And, sometimes, stormed.And so, his mount to the charge,
Or led the columns small or large,
The victor rode;
Till over danger’s castle moat,
And in the cannon’s silenced throat,
His charger trode.And so, with fierce far speed, or near
To right and left and on the rear,
His fury fell
Upon the foe too much to meet.
For Jackson’s soul abhorred retreat,
Except from hell.

But comes the saddest at the last,
As sad as life’s ideal past–
And, oh! how sad!
That, in his pride, the Stonewall fell
By hands of those he loved so well–
The best he had.

How sad that dark and cruel night
Should fold her mantle on the sight
Of those tried, true
And valiant men, who followed where
Their leader went, despising fear
And darkness, too!

But sometimes triumph is subline
The most when on the brink of time,
And his was so;
A shady shore beyond he sees,
And asks for rest beneath its trees,
And it was so.

And do you ask, can he whose sweat
Hath clods of weary slave toil wet,
The praises sing
Of one who fought to forget the chain
That manacles the human brain?
Do such a thing?

I answer, yes, if he who fought,
Fought bravely and believed he ought.
If that can be;
If manhood in the mighty test
Of mankind does its manliest
Believingly.

Then poet songs for him shall ring
And he shall live while poets sing;
And while he lives,
And God forgives,
The great peculiar martial star,
In old Virginia’s crown of war,
Will be her Stonewall, proud and sad,
The bravest that she ever had.

Saville In Trouble by Albery Allson Whitman

Saville In Trouble-by Albery Allson Whitman. Albery Allson Whitman was a 19th century African American poet who, despite being born into slavery, carved out a career for himself as a poet and orator. He served as a pastor throughout the south and mid-western regions of the United States. His poetry was universally well received and he became known as the “Poet Laureate of the Negro Race”.

He is included in the anthology African-American Poetry of the Nineteenth Century where his efforts are described as “attempts at full-blown Romantic poetry”. Some even compared his verse to that written by well-known American and British authors who wrote in the Romantic tradition. One of Whitman’s poems is called Ye Bards of England which extols the virtues of the great literary figures from English history and begins:

 

 

Saville In Trouble by Albery Allson Whitman

Sing muse! of Saville and the direful day
When beauty fell, to ruthless hands a prey;
And life a sacrifice to savage hate,
Smoked on the alter of a peaceful State.
The pensive forest in his saddest wear,
Leaned on the threshold of the Autumn sere,
And mourned his ills in parting Summer’s ear.

And waters leaving for the distant main
Sang their departure in a muffled strain.
The dove complaing at the barn was heard,
In wanton gales the naked orchards stirred.
And scarce within the dreamy vision’s reach
The sheep cote elms flapped their rocky speech.
In Saville, then, the border village rude,
Full plenty’s songs the ear of labor wooed,
And lulled him on the lap of solitude.

The sun had swum high on his blazoned way,
Exulting in the power of his sway.
And rural comfort’s well-contented hum,
Rejoiced in each household cherrysome.
The milkmaid gossipped at her busy churn,
The groaning windlass coughed at each slow turn,
The distaff whirred and chattered in the door,
The swift brooch danced along the sounding floor;
The matron scolded, and her hands applied,
The loom reechoed and the wheel replied.

\
Sir Maxey then, with horns, and hunters proud,
For chase assembled in a roaring crowd.
The champing horses pawed the anxious ground,
And windy signals roused the kenneled hound.
And as the mingling bands their saddles strode,
The wayside trembled and deep groaned the road.
Three miles from Saville, in the branchy West,
The horsemen on their boist’rous way had pressed,
When on the wild marge of a pathless wood,
They reined their speed, and, list’ning, eager stood.
The hounds had touched a trail upon the brink,
Where late an antlered stag had come to drink,

And cool, within the windings of a brook,
That mused away thro’ many a forest nook.
Soon lively baying o’er the distance broke,
The hills re-echoed and the forest spoke.
The flying pack their goodly prey had sprung,
St. Vincennes’ pulseless woodlands deep among.
Like eagles flashing from the vaulted blue,
The firey steeds in level flight pursue.
In winding glens their hoofy thunders break,
And cliffs responsive all their voices wake.

Sir Maxey, putting spurs, directs the course,
And sweeps away upon his coal black horse.
His comrades follow close in lengthy file,
Wind their glad horns and prime their guns the while.
The woods before them part upon the eye,
And pass in dizzy currents as they fly;
And crouching thickets scamper as they near,
And flee together as they disappear.
Beyond the vision’s bounds they thus have gone,
Up hill and down, o’er streams and on and on.
Meanwhile, alone on foot young Rodney hastes
Along a passage that divides the wastes.
Forbid to rank he cannot take his place
With mounted hunters in the merry chase.

The day wore on, and yet no tidings gave,
Of horse or hunter to the anxious slave,
Till he, despairing, turned to watch a trail,
That saunteringly wound along the vale.

The chase now hushed; the stag beyond his range,
Had lost his loud pursuers in a forest strange;
Till worn and hungry, these leisurely drew
To where small fenceless fields adorned their view.
Beyond, bark lodges here and there were seen,
Where lofty woods climbed o’er a long ravine.
And slowly nearing, on their wond’ring eyes,

Soft circling smoke-wreathes from a village rise,
And float in dreamy banks against the peaceful skies.
They pause, look onward, know not what to say,
When thus, Sir Maxey, spurring, leads the way:
“Come on, we’ll venture down and ask for food
And friendship in this city of the wood.”
The hunters follow at a timid pace,
And apprehension kindles in each face.

They reach the village, slowly thro’ it ride,
And every part explore from side to side.
They find it is deserted by all save
Small groups of children and the aged brave.
These sit in converse at their wigwam doors,
While memory the valiant past explores.
They on the neighb’ring slopes in peaceful plays,
Their numbers gather and their voices raise.
The squaws are lab’ring in their scanty fields,
Content with what their wild industry yields;
To bide their warriors’ much desired return
From distant hunting grounds and long sojourn.

The Autumn hills appear in brown repose,
And, clothed in lofty forests, seem to dose.
And solitude asserts her reign, remote
From civilization’s rest-disturbing throat.
But, hoofy ‘larm the woody silence breaks,
The lone boughs flutter and the scene awakes.
Around the hunters, childhood flocks to gaze,

And age arising, looks in mute amaze
Upon the daring strangers, who proceed
To rifle tents, and load each ready steed
With what few skins their wintry hunt can hoard,
And swallow what poor food their empty stores afford.
The helpless fathers of the forest race
Glance fearful each into the other’s face,

Pursue the pillagers with heated eyes,
And empty out their souls in frequent sighs;
While in their gath’ring frowns and gestures rude,
Wild valor overleaps decrepitude,
And such a flourish of contempt displays,
As shows that stern resentment is ablaze.
Ah! could they but recall the fleeting years,
Or backwards journey to where disappears
The dim seen past, and reach that stalwart time
When nimble life exulted in its prime;

Three-fold the numbers that their tents defile,
Would meet destruction in their conduct vile.
The hunters mount menacing as they go,
And thro’ the village disappearing slow,
Betake them to the woods and brisker ride
Along the neighb’ring forest’s eastern side.

There where a peaceful streamlet ambles by
Thro’ dabbling ferns and gossips cheerfully
With shaggy roots that reach into the flood,
They spy a maid just bord’ring womanhood.
Now ranging feathers in her head-gear fair,
And with her fingers combing out her hair,
She on the prone bank stands, where smoothly flows
The liquid mirror, and her beauty shows.
Now grand old sylvans raise their solemn heads,

And make obesience as she lightly treads
Beneath their outstretched arms, and looks around
To gather nuts upon the leaf-spread ground.
The hunters see her, wayward, wild and sweet;
She sees them not, nor hears their horses’ feet.
“Hold!” cries Sir Maxey, “What a lovely maid!
Ah! what a princess of this ancient shade!
Let me behold her! Quiet! Don’t move!
Did admiration e’er see such a dove?

Young love no sweeter image ever drew
Upon imagination’s tender view.
Her perfect form in idle movements seems
The fleeting creature of our youthful dreams.”
A rougher comrade at his elbow growls,
“A purty good ‘un o’ the dusky fowls,
She’s hard o’ hearin’, le’me try my gun;
Give her a skere, and see the red wench run.”
His deadly eye directs, his rifle speaks,
The maiden throws her arms and runs and shrieks;
Towards the hunters pitiously flies,
The mournful wastes lamenting with her cries,
Till at their feet she sinks, and all is o’er,
Poor bleeding Nanawawa is no more.

Kind Heaven reports the shameful news around,
Far as her sorrowing winds can waft the sound;
Soft echo in her grot hears with a sigh,
And saddened hills refuse to make reply.
“I struck her,” grunts the ruffian, looking down,
“Let’s leave,” Sir Maxey mutters with a frown;
And on they ride, and covenant to keep
The crime a secret in their bosoms hidden deep.

But hark! what mean those distant shouts that rise
And seem to flap and clamor in the skies?
Flying this way, the pulseless air they wing,
And nearer, clearer, shriller, faster ring.
The forest rages, groan the loud hills sore,
The hoarse earth murmurs and the heavens roar.

Returning warriors flash the trees between;
The fatal gun has called them to the scene.
Blazing resentment fires their warlike blood,
They’ve passed their dwellings and enraged pursued.
And mark the hunter whom their wrath o’ertakes,
For on his head a storm of ruin breaks.
Sir Maxey’s band their loud pursuers hear,
And spurring onward leave them on the rear;
For Saville wheeling quick each headlong steed,
And dash between the forests with defiant speed.

The raging warriors reach the bloody scene,
See Nanawawa lifeless on the green,
A moment pause and scan the mournful place,
Still, crafty vengeance darkening in each face,
The way the band went, narrowly then view,
And all another route at once pursue.
But one tall form his further flight restrains;
Lo! over Nanawawa’s sad remains
The White Loon bends, and kisses her pale cheek,
And trembling lips that can no longer speak;
While from his eyes the streams of loud grief start,
And downwards pour the anguish of a manly heart.

As some wild wand’ring brook that surges hoarse,
And chafes and struggles in its winding course
Through tangled roots, and under mossy stones,
And over foamy cat’racts makes its moans,
Till headlong down the mountain’s steepy sides,
The smoother current unobstructed glides;
Flows ev’ner as it meets the level main,
And murmurs leisurely along the plain;

So now the pluming bands their numbers drew,
In fretful streams the pathless forests thro’.
This way and that, low crouched, they galloped on,
Stood list’ning, here and there, a hight upon;
Moved down in level flight beyond the glade,
And glided into silent ambuscade;
And in the branchy covert pond’ring lay
Beside the coming hunter’s thoughtless way.
As hungry cougars in the deep morass,
To seize on unsuspecting herds that pass,
Lie close and closer as their prey draws nigh,

Glance at each other with impatient eye,
And press the eager moments as they fly;
So watch these cougars of the wilderness,
And so the moment of assault they press.
With envious haste their barb’rous knives they clasp,
And poise their hatchets in a deadly grasp,
And leaning forward on their ponies wait,
Like eagles on their pinions. Coming straight
Along the gorge the hunter’s chatting trot

All unsuspecting; till the fatal spot
They reach, when forth from stilly ambush nigh,
The yelling furies on their pathway fly.
Once from the tangling branches fairly freed,
Wild retribution fledges savage speed,
Straight on the hunter’s right and left they wheel,
And thro’ their vitals plunge the reeky steel
Swift as their iron strength the blows can deal.

All, save Sir Maxey, perish; he again
Rides through the storm like lightning to the plain,
Drives up his speed and shaves the lev’ler main.
So when fierce eagle shoots along the skies,
Breaks thro’ the ambient clouds and downward flies,
Above the landscape swings his open sail,
And hangs in stately triumph o’er the vale.
Forward he leans at each successive bound,
As on and on he reaches o’er the ground.
Hard bears his courser on th’ unyielding reins,

Close-scented danger swells his fiery veins,
Dilates his nostrils, to his knees inclined,
And pours their steamy volumes on the wind.
O’er log, stone, ditch, mound, shrub and brushy heaps,
Away, away he unobstructed sweeps.
In vain the heaving earth beneath him groans,
In vain the rising distance makes her moans,
In vain the wand’ring eye his flight pursues,
In vain the ear his feet receding woos;

Across their utmost limits both he shaves,
Drown’d in the rolling depths of dusty waves.
The passing gale behind him list’ning swings,
To view the rival of her speedy wings,
With breath suppressed, as when some maiden sees
A deer go fleeting by her ‘mong the trees.

Meanwhile, away behind, disheartened not,
The streaming warriors hard pursuing trot.
What tho’ the courser leave them like the wind?
His trail they see and stopping they will find.

Five miles or more, from where began the flight,
Along the summit of a woody hight,
Sir Maxey reins his courser to the ground,
And far and near for Rodney looks around.

As some dark cloud that spurns the rising gale,
Athwart it rolls and deepens in the vale,
Pours loud alarm upon the plains below;
Where, in midfield, stands the deserted plow,
And tall dread-breathing forests timid grow;
So seemed the surging courser as he trode,
With bois’trous hoof, to plunge along the road.

Now plodding near along the deep wood-side,
The expert of the wilds, Sir Maxey spied.
A brace of fowls and bleeding doe are strung
His rifle on and o’er his shoulder swung.
Homewards he strides anticipating toast,
Stewed fowl abundant, and savory roast.

“Here! Rodney! Here!” Sir Maxey urgent cries,
The expert pausing, lifts his downward eyes;
Alarm is flashing in his master’s face,
With looks inquiring now he mends his pace,
When thus Sir Maxey loud begins to cry:
“Fly for your life! for God’s sake, Rodney, fly!
A tribe of Sacs are swarming on my rear
Dreadful to see, but dreadful more to hear!
They’ll scalp us all and burn the town I fear.”

Towards the town the Champion lifts his eyes,
And on his master fixing, thus replies:
“No! let us meet them; hold your further flight,
Retreat’s in order ne’er before a fight.
To fly will but reduce our wonted strength,
And make resistance feebler, and at length
Expose our village to the storming foe;
Who, if repulsed, will reinforcements show.
Lead not an enemy our helpless homes to know.”
As some loud boar who hears his baying foes,

Upon his sedgy realms begin to close,
With groaning rage flies from his hidings dense,
And throws his lordly strength on the defense;
So Rodney, from his cov’ring in the wood,
Flew to the breach, and waiting, firmly stood.
Straight he beheld the warriors close at hand,
Him they behold, his movements understand,
Wheel from his rifle, and their flight renew,
All, save two mightiest, to their man pursue.

These now dismounted, turn their ponies loose
And in the woods their vantage places choose,
Peer thro’ the thick boughs with a stealthy eye,
Till at his mark one lets an arrow fly.
Thro’ flinching branches rings the feathered harm,
And strikes its painful barb into his arm.

E’en as some bear whom crouching hunters wound,
Tears at the pain, and rages o’er the ground,
Till in the copse the hidden foe he spies,
And on his covert fierce as fury flies;
So Rodney, when the flinty stroke he feels,
The shaft plucks out, and from his cover wheels;
Rages defiant thro’ the sounding wood,
Till near the wary foe his steps intrude.

Qnick as some stag, when horns and hounds assail
His secret lair within the leafy vale;
The pluming champion springs upon his feet;
His and bold Rodney’s eyes defiant meet.
Loud as two bulls that roar upon the plain,
Plunge on each others frothy sides amain,
Till wasted strength their foaming rage prevent,
The dread combatants groan with dire intent.

Each dreads the onset for the glare of death
Warms his foe’s eyes, and fury wings his breath.
The chief’s arm ne’er by wilds nor dangers swerved,
And Rodney’s by successive hardships nerved,
With nervous haste their leathern girdles feel,
And on the gaze unsheath their deadly steel.
Each lifted hand its ghastly freight displays,
Each hurried glance the narrow field surveys;
With each, defiance can no farther go,

Unless it walk beyond a prostrate foe.
As two tall beeches shaken by the wind
Approach each other; now with heads inclined,
Now rush away with quick impetuous roar,
And now approach, inclining as before;
So bending to and fro the champions stand,
Till loud they rush together, hand-to-hand,
Rough as the surge when sounding billows meet
Between the schooners of an anchored fleet.

Each in his left hand holds the other’s right,
And struggles o’er the ground in horrid plight,
Now on their knees, now bounding in the air,
And now half-stooped to earth, and groaning there.
Their lips all death-like on their teeth they clench
And grate defiance harsh at each long wrench,
That vainly strives the grasp to disengage,
And in the foe’s heart plunge the steely edge.

The savage champion feels his waning strength
Give away, and yielding to his fears, at length
Pours forth three dreadful whoops of wild distress,
That start the lone ear of the wilderness.
An answer in the distance soon was heard,
And parting a dense thicket now appeared
A warrior fell, with cautious step and slow,
As when some cougar scents a covered foe.
New life to Rodney! Gracious Heaven save!

A doubled danger doubly nerves the brave!
He frees his knife with desp’rateness of strength,
And in the savage sheaths its deadly length;
And as he lifeless sinks with a loud groan,
Bold Rodney at the other heaves a stone.
Firm on his head the shrieking fragment flies,
The dying warrior rolls his painful eyes,
Sinks on the turf, that whitens with his brains,
And hugs the clod that drinks his flowing veins.

The dauntless hero of the woody waste,
To leave the scene of blood directs his haste;
With gun in hand, surveys his passage well,
And strides along the stream-divided dell;
Arrives in Saville ere the sun goes down;
Explains his wounds, and makes his combat known.
With tongues of praise the village meets her slave,
The women soothing, cheering him, the brave.

No strength has courage, to the fears disguise
In downcast glances of his serious eyes.
The horrid brake conceals the skulky foe,
And o’er him darkness falleth like a mantle low.
“Ah! Sad mistake!” the fathers of the town
In painful concert mutter up and down
The mournful streets; “Ah me! a fatal freak!
When wisdom yields to folly, valor’s weak.
Ah, indiscretion! parent of all woe,

That causeth peace to rouse a crouching foe!
The sober blacksmith threw his hammer down,
And wiped the great drops from a sooty frown,
His anvil mounted, and with words of steel
Went on to utter what his heart did feel.
And as the sun sank in the hills’ embrace,
His sad rays streaming in old Joseph’s face,
That vacant looked, a picture made of dread,
That many strong hearts trembled as they read.
And Gabriel Grimes, the ‘Squire, ‘mong his books
Sat drown’d, assaying in his serious looks,
To trace a legal thicket on his gaze,
That showed no exit and no ent’ring ways.

“What? Ho!” Sir Maxey shouts with martial air,
“Before a struggle yield not to despair.
For these discretions valor makes amends,
We hold the means, but Providence the ends.
Fly to your arms, and set a heavy guard,
And coolness keep for strategy prepared.
Have wives and children shut in doors till morn,
And then will danger of his locks be shorn.”

The honest cotters hear him with a sigh,
And glance around them with a doubtful eye;
Proceed toward the village church and stand
In dread suspense, a hopeless little band.
Now darkness lowers like a gloomy pall,
The muffled drum proclaims a solemn call,

And lights blown out reposeless courage waits
The signal of the sentry at the gates.
In converse low, the fathers watch in arms,
For night’s familiar sounds now seem alarms.
The deep low baying of unusual curs,
Discloses restlessness not wholly theirs,
For honest dogs that stealthiness abhor,
Which doth conceal the steps of savage war.
Hark! List! a war-whoop starts the dismal fen!

A moment lingers, and is heard again.
Hope stops her flight, conjectures disappear,
Attack is certain, and is crouching near.
With noiseless tread the sylvan warrior steals,
(Him darkness in her mantle’s folds conceals,)
Beneath the very cabin’s walls, unseeen,
And yet may pass the peering watch between.
When Heav’n responsive to his sally cries,

Will hideous grow, and shut her sickened eyes,
And from the pitchy womb of darkness born,
Red massacre behold the mournful morn.
Ah! now must courage meet the unsheathed test
That makes stern manhood tremble in his breast.
Escape hath shut her paths upon his eye
And leaves him doomed to conquer or to die.

In age’s low’ring look and muffled speech,
The young see trouble, and with sobs beseech
An explanation at the lips which hold
The dreadful secret that cannot be told.
Childhood avoids the wand of magic sleep;
Forgetfulness assays in vain to steep
His wakeful senses in her drowsy dews;
Close on composure’s heels alarm pursues.

In solemn council lean the village sires,
Where hope’s last smold’ring ember-glow expires;
Sir Maxey’s indiscretions yet deplore,
And thus in concert sad their minds explore:
“Our ammunition most in hunting spent,
Our numbers scattered and resistance bent,
To send to Dearborn yet for aid remains
The only prospect that our reason gains,

That rises hopeful from disaster’s plains.
The troops perhaps, by timely warning may,
In mounted march, rescue the sinking day.
But, who will go? Who’ll dare these twenty miles,
Of forest peril, night and savage wiles?
Who’ll bear the news, when he on foot must go,
For not a horse can ‘scape the wary foe!”

The young and valiant called upon to choose
The way to glory or her hights refuse,
In vacant looks this truth leave manifest,
The glory-fires warm another’s breast.
Then, as a hunter calls his faithful dog,
To dare the treach’rous sands and cross some bog,
Sir Maxey to his bleeding servant cries:
“Say, Rodney, can’t you fly to Dearborn? Rise,
Your rifle take, be quick! look sharp! be gone!
Let what you do be well and quickly done.”

As some firm rock that brawling floods oppose,
In all their wanton rage, Rodney arose,
Disgust red kindling in his manly face,
Looked on the lords of his unhappy race,
And spoke: “My masters, such your titles are,
Let all irreverence from my thoughts be far;

But I’ve till now a silent list’ner been,
And have your timid operations seen.
And now I ask, with but a servant’s claim
To audience, and in a servant’s name,
I ask, with what do brave men guard their wives,
And homes, and children, but with their own lives?
With all your bosoms cherish as their own,
With all they know, and all they’ve ever known,

Exposed to danger, sueing you for aid,
I ask, why have you this evasion made?
If I, an alien to your house and hearth,
The ignoble sharer of a slavish birth,
Am called to take your parts, be well apprised,
Your conduct is but cowardice disguised.
Had I a single treasure to me dear,
A single home joy bright, or, even were
I owner of my life, my arm I’d bare,
And thrust my fingers into peril’s hair.
But none of these, and not a cheer within
My darkened breast; what may I hope to win?
Naught but the praise of mere obedience,

The fame of dogs! Nay! ere I journey hence,
Bring down command to tent with kind request,
Own me a man, and trust a manly breast.
For be assured, although your slave am I,
He will not cower, who will dare to die;
He sees no terror in menace’s eye.
The gaping wounds I for my master wear,
Already warn me that I unrewarded bear.”

Now, Rodney ended, and a mute despair
Fell on his hearers, for he breathed an air,
So foreign to their knowledge of a slave,
With liberty so audaciously brave;
That with the tameness of stupidity,
They on their bosoms leaned their chins, to see
Weak folly tamper with a lion; when
Sir Maxey turned away, and never spoke again.
In hope’s wide fields there was no further day,

And now their only star had passed away.
As when beseiging cloud ssurround the hills,
Whose troubled bosom night with terror fills,
Rude shepherds tremble in their darkened tent,
To hear the mountains wail and woods lament;
Till lo! upon the brim of vision far
Appears the joyous-beaming morning star;
So quaked these townsmen of St. Vincennes’ wood,
Till in their midst fair Dora Maxey stood,

A ray of hope to all their bosoms dear,
A day-break in their cloud-gloom’d land of fear.
So young and gentle, so serenely wild,
At once a heroine and a lovely child!
The band dispersing with her conqu’ring eyes,
In daring tones to Rodney she replies:
“Brave servant, thou hast nobly said and true,
Let valor wear his scars and glory too,
But know that woman by her jealous lords
Unhindered, in her great heart e’er awards
To stalwart manhood, love, esteem and praise,
And glories most in his most daring ways.

By caste’s frail grants let those win hearts who can,
What woman loves is manliness in man.
Now she is here, for her thy life expose,
And nobler years will her rewards disclose.
The time now wings this way, when Gratitude
Shall clasp thee to her bosom, and the good
And great, and brave of all the valiant earth
Will own, nay more, delight to own thy worth.
To Dearborn then and spread the dreadful news,
While danger’s hights more timid souls refuse.”

Now Rodney bow’d his face towards the ground,
Until his bosom this expression found:
“The humble subject of thy will I stand,
For thy request to me is a command,
The which to disobey ‘s the coward’s task,
Mine is to do, fair one, and yours to ask.

Now Dora’s lilly-touch with sweetest haste,
Her father’s weapons on his servant placed,
And thus the fortunes of the hour decides;
For he, with gun in hand and nimble strides,
The speechless groups of villagers divides,
With cougar caution slowly out proceeds,
But faster goes as further he recedes,
Till sent’nels past, deep in the howling night
His footsteps sink, and he is out of sight.

While still suspense with throbbing int’rest waits,
And slow-speeched dolour instances relates
Of grisly dangers conquered by the fates;
Of savage bands, when border strength was small,
Beat back from many a forest-cabin’s wall,
Of women moulding as their husbands fired,
And children watching where the foe retired;
Fair Dora leaning on her elbow, sate
Within her window, o’er the village gate
That eastward looked towards Dearborn, and prayed
That Rodney’s flight in no mishap be stayed.

Flight of Leeona by Albery Allson Whitman

Flight of Leeona- by Albery Allson Whitman. Albery Allson Whitman was a 19th century African American poet who, despite being born into slavery, carved out a career for himself as a poet and orator. He served as a pastor throughout the south and mid-western regions of the United States. His poetry was universally well received and he became known as the “Poet Laureate of the Negro Race”.

He is included in the anthology African-American Poetry of the Nineteenth Century where his efforts are described as “attempts at full-blown Romantic poetry”. Some even compared his verse to that written by well-known American and British authors who wrote in the Romantic tradition. One of Whitman’s poems is called Ye Bards of England which extols the virtues of the great literary figures from English history and begins:

 

 

Flight of Leeona by Albery Allson Whitman

In bloom gemm’d depths, where Sylvan branches meet
Above dim paths, that thread a still retreat;
Where light on tip-toe shy, steals o’er your path,
Like some chaste maid unrobing at the bath;
There where old warrior pines on high doth tower,
In fashion quaint is built the Aylor bower.

Here ‘Ona now a noon excursion made,
And wandered peaceful thro’ the silent shade.
There, as she went, and could not turn nor stay,
But ling’ringly pursued her lonely way,
And gazed into the song-stirred woods beyond,
She stooped to raise a wayside flow’r with fond
And gentle touch, and with a sweet look try
To coax the timid azure from its eye.

And now she turns upon a mossy seat,
Where sings a fern-bound stream beneath her feet,
And breathes the orange on the swooning air;
Where in her queenly pride the rose blooms fair,
And sweet geranium waves her scented hair;
There, gazing in the bright face of the stream;
Her thoughts swim onward in a gentle dream.

Now, restless Aylor parts this dense retreat,
And ‘Ona finds reclining, fast asleep;
While, save that one lone bird doth chirping peep,
There’s not a sound to raise its little feet
Within the stooping boughs — the very air
Seems half afraid to breathe upon her there!
And water lilies, prattling in the stream,

With speech subdued, enchanted list’ners seem.
Leeona’s long locks round her slim waist meet,
The bright waves leap and sigh to kiss her feet,
While her reluctant breasts to view disclose
The lovely hues of life’s serenest rose;
And timid rising, like twin moons do seem,
Just o’er the woody marge of some still stream.

Low Aylor peers the arching boughs beneath,
Lust heaves his bosom and compels his breath,
While thus he ponders, on his raving breast,
His hand in trembling indecision prest:
“I’ll nearer steal, but then she might awake!
Oh, in these boughs I’ll stand, till mine eyes take
Their feast of gaze! Ah! what a beauty she!

My soul is drowning in a boundless sea
Of what I can’t express! And she is mine!
My own slave! No, Leeona, no, I’m thine!
I’ll be thy slave, and thou my wife — my — no!
There’s negro in her veins! ‘Twould never do!
What Saxon hand a negro wench would woo,
And let disgrace frown on him? But she’s fair!
Her cheeks, how radiant: ah! what eyes — what hair!

Thou angel slave! and mine! I’ll nearer steal,
And make her while these boughs shall us conceal.
I’ll proffer her a master’s secret love,
Protection, freedom or her heart I’ll move
To confidence and yielding secrecy,
By signs of stooped superiority.”
Then, as some rough-armed hurricane that finds
The hiding places of the little winds,

Where insect horns their day long music keep,
And starts zephyrus in her noontide sleep;
So, filled with blasty lusts, now Aylor goes,
Till on the sleeper fair his footsteps close.
And as the fingers of a dream have caught
The waving pinions of her free young thought,
She hears his steps, sleep blends them with her dream,
Till touch’d, she wakes and bounds up with a scream.

Her master’s low entreaties make her worse,
She screams for aid, till screaming makes her hoarse.
He grows more furious as she him defies;
The helpless lamb to flee the lion tries,
But fear o’ertakes her strength, and daunts her soul,
Her senses reel, and reason yields control
To blank unconsciousness, and what ensues,
Refrain to ask, Oh! man, withhold my muse!

The bower’s deepest bosom saddened seemed,
As innocence’s big libations streamed
Fast down Leeona’s pity-suing cheeks,
And her poor breaking heart gave vent to shrieks;
And up to sympathizing Heaven she turned
Her tear-dimmed eyes, that with entreaty burned.

Oh, loveliness thou radiant visaged sprite,
Thou lute-voiced warbler wooing to delight!
By prince alike, and homely swain adored,
By every gentleness of soul implored!
When unprotected, howe’er cherished much,
To thee how blighting is the lewd hand’s touch,
E’en as the woodside flow’ret plucked away —

Torn from the bosom of enliv’ning May —
Dost droop within the rough grasp of the swain,
Thou witherest to ne’er revive again!
And Slavery, thou worst of all the host
Of human ills, I loathe, and like thee most!
Thy name I spurn, thy grov’ling aims I hate,

And all thy bitter creeds abominate;
But like thee for the daughters thou hast borne,
The jewels that doth thy vile neck adorn,
The tender out-growth of unholy deeds,
The rich-hued blossoms of offensive weeds.

Here, reader, lies a lab’rynth on our way,
Thro’ which perchance ‘twould weary you to stray;
Or yet perhaps with some unwonted sight,
Or sound, mar all thy bosom’s visions bright.
Our steps, therefore, around it now proceed,
Where to remoter realms our lovers lead.
But as we pass, there lingers on the ear,

A strong man’s mournings for his lover dear.
For Rodney hears that his fair ‘Ona’s dead,
And sleepless anguish bows his manly head,
The nightly forests hear his wand’ring cries,
And with her stony speech his cave replies.

‘Twas eve in Florida serene and bright,
And gently sighed the wind as sighs a maid
When watching in an early moon’s round light,
Her lover’s footsteps in the trysting shade.
The woods breathed softly, and their even breath
Was sweet with blossoms of the neighb’ring heath.
And, save the lonely note of nightingale,
The churlish out-bursts of the farm boy’s vale,
The horn owl’s shout, and swamp bird’s lone reply,
No evening sound disturbed the sleepy sky.

Now near a dark and solemn wood,
Close by the Aylor house I stood.
The evening star, without a peer,
Was sinking in his mild career,
As sinks the warrior on his shield,

When vict’ry holds a silent field,
And no alarum breaks his rest,
To build her watch fires in his breast.
Soon, as a maid will half conceal
To show her beauty, then with sighs,
Languishing looks, and yielding eyes,
Will arm her sex with that appeal,

Which conquers him who dares to feel;
So, bursting from the wood’s embrace,
A moon in soft clouds dipped her face,
Ascended then her peaceful throne
Of green hills, and supremely shone.

I heard a wail of woman’s woe;
Now loud it bursted, and now low,
Suppressed, as if in sudden flow,
A hand had checked its bitter gush;
Then followed an expressive hush,
When, in the mansion’s silent hall
I saw a female proud and tall,

Half covered in the myrtle’s shade,
Thro’ which the moonlight faintly strayed.
Her long hair stream’d below her waist
In wild waves; and her bosom chaste
Arose in pensive sweetness, bare,
Beneath a face that pale with care,
Some monster trouble seemed to dare.
Her eyes with sullen lustre blazed,
As up in Heav’n’s still face she gazed,

And clasped an infant to her breast,
To gently hush its sweet unrest.
I nearer to the woman stole,
And lo! she was the fair Creole!
For unobserved, I reached the hall,
And leaned against the shadowed wall,
Just as the moon was fairly seen,
Breaking white banks of clouds from ‘tween.

I heard the Creole’s softest sighs,
And saw her flash her restless eyes
Upon her rear; I now did know
There was concealed some dreadful foe.
I looked upon her lovely form,
And felt my hurried blood run warm.
Ah! she was beautiful, tho’ not
So fair as lovesick rhymers plot,

Or whining prose mongers array,
Along the novel’s little way,
Through which good sense doth never pass,
But where the intellectual ass
Delights to roam, or fast or slow,
To see the strange white lilies grow,
Or hear a big black giant blow!
Ah! not so fair, but a rich rose,
And brilliant as the stream that flows
From Summer hills, with meadows sweet,
And dewy corn-fields at their feet;
While bleating pastures peaceful lie,
Beneath an azure canopy.

But hovered o’er by raven-winged fears,
Assailing wrongs had dried her tears
In their bright home; tho’, as the rill,
When Winter from his cheerless hill,
Freezes the surface with his breath,
But cannot stop the flow beneath;
So her proud look of beauty showed
That sorrow’s stream beneath it flowed.

Oh! how I wished I knew wherefore
Her wrongs, and her distresses sore!
How then I could have met her foe,
And brought her weal, or shared her woe!
I raised my hands, I strove to speak,
But long suspense had made me weak;
I could but lisp a single word,

And that too faintly to be heard.
Then, ere I caught my reeling sense,
I would have sprung to her defense,
But horror froze my sluggish blood,
And I aghast in silence stood.
A whisper low breathed thro’ the hall,
And then there came a quick footfall.
Leeona flashed a hurried eye,

And “Oh, my Rodney!” then did cry,
And to his brave arms weeping fly.
A moment clasped in love they stood;
Then he looked round in sullen mood,
As calm as night, but stern as death,
Resentment warming every breath,
And “fly, Leeona!” quickly gasped,
And to his lips her small hand clasp’d.
“They’re on us now, and soon we’ll be
Beyond the reach of Liberty.”

“Hush! there they come! can’t you hear
Their angry footsteps hurrying near?
Wait not a moment to be gone,
By Heaven aided fly alone!
I’ll meet, and hold them here at bay,
Or stain with blood their fiendish way.”

I strove now but could not withdraw,
Nor look, nor shut my eyes for awe.
A hurried sigh, a sob suppressed,
Escaped Leeona’s noble breast.
All earth to her was in her arms,
And she could tread on Scorpion harms,
While this firm purpose swelled her heart —
To live not from her babe apart.

Now wild as the wild cat’ract moans,
Thro’ deep shades and replying stones,
The murmur from her bosom rose:
“God save my Etta from her foes!”
Then on her shoulder swinging straight,
The thoughtless infant’s little weight,
Forth from the mansion’s hall she stole,
Like hope’s last vision from the soul.
Her lips were clenched, her dark eyes staid,

Her brow was knit and arched with shade,
To Heaven’s arms she looked for help,
And fearless as the lion’s whelp,
Was winding thro’ the silent grove,
With no cheer but the moon above.
Now fast and faster onward flew,
Till indistinct upon the view,
She seemed a shadow, then was seen
No more the darkling trees between.

Now in the dismal mansion roared
A storm of heavy steps that poured
From aisle to aisle, and hall to hall,
As if loud tongues in every wall
Were loosed upon the night to call.
The current foamed towards the door,

From which had fled the Creole poor,
And o’er the voices of the crowd
One great grum throat was heard aloud,
Like a crack’d trumpet madly blown,
Or like a fierce boar’s sally groan.
“Let loose the hounds upon her track,
Go, villians! Speed and bring her back!
Or leave her torn upon your way,
And on her flesh let vultures prey!”

Now Aylor ceased, and his dread form,
Peerless in terror, issued forth,
As wrathful as the dark browed storm
That shuts the doorway of the North,
And drapes the eagle’s palace bright,
In curtains of the misty night.
Then grum as some old Indian king,
He strode among the gaping throng
Till like a Champion of the ring
Of loud Olympus, stern and strong,

Of matchless port, and manner proud,
He rose above the gaping crowd
Of men and dogs, and shook his hair.
Dread silence seized the trembling air,
Dumb terror made his minions quake,
Their knees to smite, their fingers shake,
And dogs beneath his nod and scowl,
Began to gnaw their chains and howl.

The chains are loosed, and at a smack,
Away fierce yelping fly the pack.
Their deep, loud throats in full chase break,
The darkling woods responsive speak,
And far off hills from slumbers wake.
The very night shades seem to fly,
And dance and flutter on the eye;
For dreadful sight is it to see,

A woman from swift bloodhounds flee.
Then like some lion, when loud dogs invade,
That flies ferocious from his roaring shade,
His bristling kindred scatters from his path,
And shakes the forests in his lordly wrath;
So now brave Rodney from his cover springs,
And right and left her loud pursuers flings.
These at him stare with trembling fears opprest,
He plucks a dagger from his heaving breast,
Displays the ghastly warning to their eyes,
And in pursuit of hounds and Creole flies.

Ah! ye whose eyes with pity doth run o’er,
When mournful tales come from a heathen shore,
Of babes by mothers thrown to crocodile;
The scaly terror of the languid Nile;
Of Brahma’s car and Islam’s wanton rites,
And bloody raids on Zion’s sacred hights!
Ye who hear these and pray for God to come,

Behold yon mother fleeing from her home!
A master’s child upon her frantic breast,
And by a master’s savage bloodhounds prest;
And this, too, where in every steepled town,
The crucifix on human wrong looks down!
Think then no more of heathen lands to rave,
While in America there breathes a slave!

Rodney pursues, and where the sickened moon
Looks thro’ the woods, comes on the Creole soon.
The angry hounds have overta’en their prey,
And round Leeona, madly mingling, bay.
Deep thro’ the wastes their fiendish voices ring,
Fierce with their tongues, wood, plain and hillock sing;
And now they close upon her, thick around;

Ah! God, they seize and drag her to the ground!
Lo! Rodney nears, he hears his ‘Ona’s cries,
Right on the hounds with flashing steel he flies;
They on him furious turn, with eyes that glare
Like furies’ fell, jaws gaping, and teeth bare;

This one and that he seizes as they lunge
Upon him, and their dread fangs in him plunge.
Deep thro’ their reeking sides his blade he drives,
They reel away and empty out their lives;
Till with their warm blood dropping from his hands,
He master of the situation stands!

Ah! ye whose hearts with swifter currents beat,
When fabled gods in equal combat meet,
Shout loud the challenge, swing their shields immense,
While armies hang around in dread suspense,
Lift their vast lances, like the lightnings driven,
Jar all the plain and shake the vault of heaven;

Behold this hero of the real fight,
This man who dares the wiles of swampy night;
Whose fearless bosom, lit with valor’s fire,
Withstands the monster bloodhound in his ire;
Whose faithful heart to love’s first impulse true
Will dare to suffer and is brave to do.

Now Rodney listens, his surrounding views,
And thro’ the pines his dismal way pursues.
Leeona follows on his journey dark,
Where night-owls laugh and wary foxes bark;
Till thro’ the branches op’ning day’s in sight,
With rosy smiles and locks of streaming light.

We wander now in grasses long and damp,
O’er oozy mosses of a dismal swamp,
Thro’ languid brakes, and under monster trees,
Thro’ whose vine loaded boughs noon never sees.
Here nature sleeps her long, long torpid nap
In silence, on the Tropic’s tangled lap;

Here yellow streams with lazy murmurs creep
On slowly, talking in their sluggish sleep;
Here hideous reptiles in their slimy reign
Crawl aimless ever, and an apish train
Of forest hoodlums day long orgies hold;
And birds, although their plumage gleam with gold,
And divers colors, sing not; in this wood,
This habitation of dark solitude,

Our lovers, for their lives escaping, fly
Into the arms of dismal safety.
The scaly venom of the pathless brakes
About them here a sure protection makes,
For who will dare the danger of the bogs?
And here is crocodile a match for dogs.

Here hope our lovers found,
And love about them wound
Her silver cords the tighter;
As fears vanish’d away,
And they from day to day
Felt life’s burdens grow lighter.
Ona saw Rodney’s manhood, he
Her fortitude and constancy;

Thus, each could in the other see
Enough to keep the loving eye
With pleasures running over.
As Eve and Adam, innocent
Wtihin the charms of Eden went,
And nothing of the wide world knew,
Save what lay just betwixt the two;
So wandered these, the wild shade thro’,
Lover absorbed in lover.

Far from their home within the wood,
Once Rodney went to search for food,
And ready make, for he next day
Must toward the North Star take his way.
Leeona biding, sandals knit
Of fibres from the cypress split,

A basket rude of willows wove,
And gathered fruits within the grove.
Thus wand’ring round, she missed her track,
And lost, could not her way find back.
At last despairing, sad she stood,
Then on her devious way pursued,

The sun upon his western way,
Had nearly reached the verge of day,
Baptizing in his orange sheen
The lofty groves of cypress green;
When in the swamp grass, long and dank,
Leeona reached some bayou’s bank.

Lo! all around was strange and lone,
And silence on her dismal throne
Held her dark sway in every nook;
Save that one swamp bird yonder, shook
A mournful noise from his throat,
That sounded something like a note;
And that one tiny wren did say
Some feeble things anear her way,
Scarce able when it flew to shake a spray.

Leeona turned to scan the wood,
When lo! beyond her scarce a rood,
A horrid human form she viewed!
A tall old man in skins half guized,
Half savage and half civilized,
With a great cudgel in his hand,
Towards her gazing still did stand.

About his waist a leathern thong
Bound his long locks, they were so long.
Uncombed and matted close they lay,
And age’s touch had made them gray.
His gaunt arms were of monstrous length,
The ghastly signs of wasted strength.
“Ah!” Ona sighed, “what shall I do?”
And, as she thought, unseen, withdrew;

But slow the ghostly hermit stalked
Around her hiding-place, then walked
Straight in the bush to where she lay
Breathless, stood squarely in the way,
Swung his great cudgel round and round,
Chattered and gnashed, and stamped the ground,
Rolled his wild eyes, growled like a bear,
And thrust his fingers in his hair.

A true heroine of the cypress gloom,
Now there to lie, the Creole saw her doom —
A reckless madman had her in his hand —
She sprang up, and did at his elbow stand,
And cried out, “Look sir, see my pretty child!”
At this, the raving specter grimly smiled,

Let fall his cudgel, muttered some strange speech,
And for the babe his dreadful claws did reach.
“Have you seen Nanawauea?” then he cried,
“She died long time ago, and then I died;
Who wrongs the red man, wrongs the race of man;
You hurt my wigwam now, sir, if you can!”
Leeona answered, pointing him away,

For no auspicious moment long will stay:
“Your Nanawawa lives in yonder glen,
Make haste and find her — come and tell me then.”
Now both hands in his hair the madman threw,
Dashed off and laughed, and gibbered as he flew.
“Dark mystery,” Leeona leaving, said,
“Hath in that human waste her mansion made!
Ah! now within his once love-lighted breast,

The owly phantom builds her broody nest.
And that high seat where wisdom once did dwell,
Is now inhabited by visions fell,
And recollections harrassing, among
Which, a dreadful secret holds her tongue!
And ‘Nanawawa;’ love-balmed name survives —
Above that heap of mental ruins lies!

Poor wretch, unconscious of existence save
With the loved dead, thinks he’s beyond the grave!
‘Who wrongs the red man.’ Why he speaks of wrongs,
To that the secret of his words belongs;
Wrong! wrong! Yea wrong! We all that monster know,
The blight and bane of earth, and source of woe!

Now Rodney’s voice and heavy footsteps broke
Upon the Creole’s ear, as thus he spoke:
“Leeona, here am I! What were those sounds?
And what went by me with such dreadful bounds?”
Leeona told him; list’ning still he stood,
Then talking low they slowly left the wood,
Began their steps toward a Northern clime,
And looked on Florida for their last time.

In The House Of The Aylors by Albery Allson Whitman

In The House Of The Aylors-by Albery Allson Whitman. Albery Allson Whitman was a 19th century African American poet who, despite being born into slavery, carved out a career for himself as a poet and orator. He served as a pastor throughout the south and mid-western regions of the United States. His poetry was universally well received and he became known as the “Poet Laureate of the Negro Race”.

He is included in the anthology African-American Poetry of the Nineteenth Century where his efforts are described as “attempts at full-blown Romantic poetry”. Some even compared his verse to that written by well-known American and British authors who wrote in the Romantic tradition. One of Whitman’s poems is called Ye Bards of England which extols the virtues of the great literary figures from English history and begins:

 

In The House Of The Aylors by Albery Allson Whitman

 

Where Summer crowns with orange blooms
The land of pines and cypress glooms;
We wander forth by field and lane,
In woody shades with plaintive strain.
Ye lonely bayous catch the sound!
Ye languid fen-brakes pass it round;
Ye pensive hills your silence break,
And let the mournful echo wake!
Of errant Pride’s chivalric deeds,
Of frowning Caste’s unholy creeds,
And their worse, sin-begotten heir,
Black Slavery, a lay I bring,
And of her painted crimes dare sing.When Satan, hurled down from the skies,
O’er this terrene his fallen eyes
In search of ruin hotly cast,
Hell-bound, but harm-bent to the last;
Those shores of ours, where Mexic’s Sea
Holds watch with the Atlantic, he
Touched not in his tremendous flight;
For, stooping there, the sons of light
He spied encamped in battle form
Around a captive ocean storm,
From which his equinoctial bent,
Wheeled short, and further northward went.Sweet land! conceived in chivalry,
Brought forth in wild adventure, reared
In conquest’s arm, to rivalry
And old ambitions long endeared!
The fairest of thy sister train
And fairer than thy mother Spain,
Thou art of all the world a lone,
Lone beauty of the fragrant zone.
Thy sisters in their lurid North
Surpass in wealth but not in worth;
More native grace hast thou than they,
Less wrathful winds and winters gray.
Thou hast no somber-low’ring skies,
In which the white-winged tempest flies;
Where shiv’ring woods aloud bewail,
All riven by the angry gale,
Their cheerless, torn, and chilly state,
Like empty beggars at your gate.
But such thy distant sisters know,
Within their wintry wastes of snow,
And hills as speechless as the tomb,
And sullen plains of voiceless gloom.
But girdled in thy summer zone,
As a maid who waits her lover,
Or to meet him walks alone
Under twilight’s dewy cover,
Thou dost come to meet each year,
Always smiling, never drear.
And can it be, that thou, this goodly land,
Could foster slavery with a jealous hand?
Yea, when less comely States had seen the stain,
Of crimson guilt upon their skirts too plain,
They shook the galling traffic from the clutch
Of commerce, and forbade her further such.
But thou, when banished Slavery left the North,
In wretchedness and shame, to wander forth,
A heartless strumpet, seeking e’en a shed;
Thou then did’st take her in and share thy bed!
And can’st thou wonder that thy hardened heart
Should make humanity’s shoulders smart,
When to errantic crime thou wast a bride,
When Pagan barbarism wedded Roman pride?Of him whose valor first inspired onr strain,
A slave to Aylor bound we sing again.
The shady woodlands of his native West,
To him are not: in richer verdure drest,
A fairer aspect Florida presents,
But not more pleasure; that which most contents
A noble mind, the liberty to dare
And do, the man, he now no more can share.
To him what are luxurious verdure’s sweets,
And cypress shades, and orange-bloom’d retreats;
When for once dear delights his heart now hopeless beats?
Lo! where yon hedge-bound fields beyond the way,
Wave on the view exuberently gay,
Exulting in their flow’ry excellence,
And clasping in their green embrace, a dense
Deep grove of sturdy pines whose solemn shade,
Has o’er delicious seats a curtain made;
There stood the Aylor house, when in its prime,
A brave old structure of that princely time,
When rank and title held unquestioned sway,
And humble worth to fam’ly pride gave way.
How often have I, turning to its bowers,
In dreams sat down and wasted pleasant hours.
How often traced its various changing scenes
Of blossom’d fields, bright lanes, and rolling greens!
This goodly mansion hath an olden fame,
And memories that urn full many a name
In honors bright and not a few in shame.
Here hoary tenants, who in turn await
Their scanty pensions at a master’s gate;
These, and full many an ebon patriarch,
Of Afric’s humble tribe, who wear the mark
Of bondage, tell in tales of cabin lore,
Sad things that run the eye with pity o’er
.
Thus of the Aylor line we are informed:
“When erst colonial patriotism stormed
New England’s early hights, and stretched the hand
Of burning eloquence o’er all the land;
And Puritanic piety, allured
By Siren Freedom to the wilds, endured
The long privations of the wilderness,
With all the unction of true holiness,
The Aylors mingled with the daring few,
Who in the tyrant’s face the blade of battle drew.With vict’ry flushed on fortune’s swelling tide,
Young Aylor soon had won a lovely bride,
The fairest flower of New England’s pride.
Ere long, embarked in love’s light craft, they join
With oars of labor, and their hopes incline
To stem life’s tide; to fortune’s source explore,
And in the future near touch happiness’ shore.
Soft are the winds that swell their first short sail,
And mild their skies, ne’er angered by a gale.
Glad waves arise to kiss their peaceful keel,
And from their prow bright silv’ry ripples steal,
New ambient hills their ravished vision thread,
New argent fields and tinkling valleys spread;
Love lends new relish as new scenes invite;
Hope points to others not yet on their sight,
And gently heaves the deep beneath their dove-like flight.
To them the world is one ovation grand,
Where fortune show’rs bright favors from her hand,
And fancy beckons to a blissful land.
Florida the inviting aspect shows,
And here full soon the Aylor mansion rose.
There, husbandry soon stooped to till the soil,
And ripened plenty filled the lap of toil.
Bright Spring on Winter’s parting steps pursued,
With buds and flowers his ling’ring footprints strewed,
Her cornfields spread, and orchards in the dell,
And waited till the big rain’s benediction fell.Full, blue-eyed Summer, stately coming on,
With shouting harvests stood the hills upon;
The breath of wasting juices did inhale,
With bloomy cotton whitened in the vale,
Spread out the ripened cane along the steep,
And waving rice fields in the swamp did reap.Then Autumn came, with sickle keen in hand,
And yellow sheaves beneath her arm; to stand
And with her mellow voice to fill the land.
The waning fields sank on the saddened view,
And melancholy hills were robed in blue.
Brown Autumn came, and at her solemn close,
The swarthy hands of labor found repose.
Then sports set in, and harmless games began,And through the livelong snowless winter ran.What cares had slaves to mar their peace with dole,
And shut the light of mirth out from the soul,
When life-long labor made them richer none —
When nothing earned was theirs when work was done?
What reasons they to look back with remorse,
When careful conduct made their state the worse
Or better none? Their lives were not their own;
Hence past and future were to them unknown.
Hard labor’s respite came, and as it neared,

Their burdens lightened and their hearts were cheered.
Religion, work and pastime, all in turn,
They had; but art and science must not learn.
And yet, contentment these vast wants supplied,
And loaned the pleasures caste had them denied.
The mind that never grasped hypotheses,
Nor wandered in the maze of theories;
Nor toil’d thro’ demonstrations intricate,
Nor groaned beneath old histories’ vast weight,
Can best afford in other paths well known,

To seek for pleasures not so over grown
The last day’s labor was a day of feast,
And toil-earned freedom for both slave and beast.
The groaning barns were filled from floor to eaves,
And all the barnyard stacked around with sheaves.
Then, when the last full load of ripened corn
Was gathered in, the master took his horn,
And mounted high upon the rounded pile,
Rode homewards, sounding, followed by a file
Of empty wagons; while a lusty band
Of slaves came shouting on at either hand.

The shorn fields sank forsaken on their view,
And as they nearer to the barnyard drew,
Slave cabins emptied out a roaring crowd,
And gabbling hillsides answered them aloud.
Then shouts of triumph closed the boist’rous scene,
The master king, and mistress crowned a queen.

This edict then, thro’ all her milder reign
Of hut-bound realms, awoke a glad refrain
In servitude’s full heart: “Go waste the hours
As you may wish, good slaves; the time is yours
From now till blooming Spring shall come again,
And spread her painted sweets upon the plain.”

They then set in with ev’ry setting sun,
And danced till they were tired of the fun.
Loud rang the fiddle on three strings or four,
But louder rang their feet upon the floor.
The music, started once, as well might cease,
For joy kept up the dance with lively ease.

Now all hands joined, their circling knew no bound,
Save that they paused to catch the music’s sound;
And when caught, all hands joined around again,
They whirled away to overtake the strain.

Then, balanced all, they stood out pair and pair,
And trampled hugely down the flying air.
Thus on they strode till night’s last watch had flown,
Or they had broke the smiling fiddler down;
Who, sweating like a hunter in the chase,
Dragged his bandanna o’er a hopeless face;
Sore puzzled, grinned, and chided, out of breath,
“Ah! darkies, will you dance a man to death?”

Long ran their joyance thro’ the grateful years,
The slave as happy as his lord appears;
For then true guardian, the master deemed,
In all but rank his servants kindred seemed.

With him communing at the Paschal feast,
Where no distinctions met the humblest guest;
And with him at the nuptial altar kneeling,
His fervent prayer the holy union sealing;
He, round his dying couch, with sleepless care,
Life’s comforts brought, and knew no pains to spare;
Leaned tearful o’er him till his latest breath,

And closed his faithful eyes to sleep the rest of death.
But Avarice, whose reign is rife with woe,
To earthly bliss the deepest venom’d foe,
In this proud mansion found a lurking place,
At first discovered as a youthful grace,
At last unveiling all her frightful face.
The air grew tainted from her baleful lungs,

And Discord there unloosed her howling tongues.
There Anger’s raging thirst was slaked with blood
Drawn from the back of groaning Servitude.
From bad to worse the Aylor house went down;
In phrenzy’s bowl adversities they drown,
Thro’ halls of revel banished joys pursue,
Exhaust old pleasures, madly pine for new;
Chase wanton transports thro’ the mazy dance,
And seek their wasted fortunes at the hand of chance.

Then feuds and murder hurry to the scene,
And fam’ly pride’s dear bowers are there no longer green.
An orphan heir to violence and shame,
Now one lone Aylor, Mosher is his name,
Holds undisputed all his lawful claim.
The hand of love and beauty both he scorns,
With broken vows, his wanton rites adorns,
And in his mansion’s every nook and hall,
With open lewdness holds high carnival.

This brief narration, with its changes fraught,
Hath us once more to meet with Rodney brought.
The cabin dance, the banjo and the song,
Are courted yet by Afric’s humble throng.
They drown their sorrows in a sea of mirth,
And crush young griefs as soon as they find birth

Neath dance’s heel; and on the banjo string
A theme of hope, that forces woe to sing.
But one is there, to them a stranger born,
Whose manly brow the marks of thought adorn.
The low inventions of poor darkened mind,
Can never in the threads of nonsense bind
This mental Sampson; tho’ by Slav’ry shorn
Of rightful manhood, weakness he doth scorn.

The abject sons of Afric’s injured race,
With cabin sports assay to cheer his face,
But all in vain; their silly means repel,
Instead of please, the comrade they love well.
He’s with them, but not of them; for the light
Of freedom flashing on him once, his sight
Has trained beyond low Slav’ry’s bounds to ken
The hights, that he who treads will long to tread again.

All day he labors, speaking scarce a word;
All night lamenting in yon groves is heard.
His ear no more the torrent’s voice shall woo,
In deep shades musing long, or wand’ring thro’.
His winding horn no more shall urge the chase,
Where the proud Wabash doth his woods embrace!
No more the flying stag shall dash the spray,
And bend the hawthorn from his mountain way;
And in the blossom’d fields of yellow sedge,
In thickets brown, or in the briery hedge,
His wary spaniel shall no longer spring,

Nor whirring grouse, nor partridge swift to wing!
His fields are gone! Farewell, ye sports of yore!
Ye goodly seats on Mississippi’s shore!
And home is gone! All that makes labor sweet —
His hearth is darkened, where he once did meet
Bright chirping mirth around hoar comfort’s feet.
No loving eye shall on his threshold wait,
No little footfalls meet him in the gate!
No faithful yard dog to the fence shall come,
To leap, and wag, and tongue his welcome home!

Dear Western home, a tender, last farewell!!
No more shall Rodney in thy bowers dwell.
Lo, in the cane and cotton, far away,
He bends to toil thro’ all the sultry day!
Now on his life a weary journey takes
Thro’ regions where no day beam ever breaks.
“Oh, God!” he mourns along the pensive hills,
“The rayless gloom that now my bosom fills.
My life ends here! existence tho’, may creep
Some further on, but now ambitions sleep!”

Thus, all night once, alone he sighed,
In lanes and fields and forests wide,
And strolling on, was lost from view,
A deep dense pine shade wand’ring thro’.
There, where a bright stream leaping downward,
Moaned o’er falls and rambled onward,
Like a waywardness of childhood,
Or a wild dream; thro’ the wildwood,
And within a farthest recess
Of the forest’s leafy stillness,

Where the damp boughs stoop’d and listened,
And the waters flashed and glistened,
Formed a fountain clear, still, blue, deep,
In whose breast heaved Beauty asleep;
There, while morn was just awaking,
Slumbers from her eye-lids shaking,
And her mountain stillness breaking,
With her first sweet music making;
There, with eyes upon the ground bent,
Yet he onward mourning slow went.
All the waking woods were merry,
But his heavy heart was dreary.

So in deepening shades he wandered,
Where this wild strange stream meandered;
Knowing not, in his sad musing
Where he went, blindly not choosing
This or that path, as he went on
With his eyes the ground still bent on.
In his heavy soul he muttered —
These words pensively he uttered:
“Ah! bleak Norway’s churl may feel not
To complain against his cold lot,
When he never knew a better;
And the naked son of Afric,

Led about from youth to manhood,
In his desert haunt and wildwood;
By the bloody hand of Traffic,
May not groan to wear a fetter;
But to him whose soul doth cherish
Longings that can never perish,

Who his arms in fetters galling
Feels, while liberty is calling
To her citadel before him,
With her bright skies bending o’er him;
But to him, how hard the fate is!
Ah, to him how dark the state is!
Earth her every pleasure looses
To his eyes, and hope refuses
All attempts to mount on high,
To her dwelling in the sky.”

While thus he mourned in this sad plight,
Hard by his way, deep out of sight,
A sudden mighty stir he heard,
Of many a flapping bough and bird.
He upward glanced a hurried eye,
When thro’ the parting branches nigh,
Upon the brooklet’s other side,

A living beauty, lo he spied!
In native sweetness clothed, she stood
And all her fair proportions viewed
With fawn-like timidness. She deemed
Herself unseen, but watchful seemed.

Alone within her soft retreat,
The liquid mirror at her feet
Returned her beauty to her eyes,
Till, warmed with innocent surprise,

She stood admiring. Now her hand,
As graceful as a fairy’s wand,
She waved above the prattling stream;
Then gentle as a reaper’s dream,
She shook down raven locks of hair,
Upon the morning’s dew-sweet air.

In deeper shades she now withdrew,
But Rodney’s eyes as fast pursue.
There, half concealed, she looks more fair,
And seems abashed, at e’en the air,
That scarcely breathes upon her there.

A stolen glance at her fair parts,
Stripped Rodney’s bosom to the darts
That Cupid’s cunning strength let fly,
Till, wounded thro’ his dazzled eye,
He sighed for breath, his bosom held,
To hush its leapings as it swelled.
He shut his eyes to look no more,
But looked, worse wounded than before.
Then thought to turn and steal away,

And thought, and thought, but yet did stay.
Her beauty like a full round moon,
Uncovered in the branches, soon
Appeared as fair as e’er was seen
That lovely orb, green hills between.
Then, step by step on tip-toe poise
She stole, and ev’ry little noise
To her had eyes. Back she withdrew
Within the shade, and now in view
Again in all her beauty rose,

And full and clear stood list’ning, close
Upon the marge, where grasses sweet
And blushing flow’rets kissed her feet.
The wanton waves that played below,
With am’rous descant ceased their flow,
And with a strangely pensive speech,
The maid to tarry did beseech.
A moment gazing on the flood
With Eve-like innocence she stood,
And watched her perfect image there;
While lost within her flowing hair
Her small hand rambled. She had now
Plunged in the panting stream below;

Had not the sudden thickets stirred.
The breathless maiden, shrinking heard
Some farmer’s lad, on errand soon,
Towards her pipe his morning tune.
Quick as the lark, that, song-hushed darts,
When her still brush some footstep parts,
She, hasty dressed, deep out of sight
Within the thick boughs took her flight.
Rodney pursued, not knowing why,

A power in his feet that drew
Resistless as the wind that blew,
Kept him a going, fast or slow,
And where, or how, he did not know.
Glance after glance his dazzled view,
Worse dazzled as the maiden flew
Beyond him, and as on he bent,
He knew not what his bosom meant,
In drinking breath on breath so fast,
And being out of breath at last.

But now his secret pleasure turned;
Ah! in the distance he discerned
His master skipping onward too,
To keep the coy sight on his view.
Then, Rodney turned and stole away,
And toiling, mourned the live long day;
But Mosher Aylor, stern as fate,
Pursued, till thro’ the Brentfords’ gate
He saw the beauty pass from sight,
Like some sweet vision of the night.

Now Aylor passed a wretched day,
And night’s hours went their wingless way.
On all his house he closed his door,
And in a phrenzy paced the floor.
With hands behind him clasped, he stood,
Or leaning, sat, in sullen mood,
And sighed, and groaned, and raved with pain,
And rose and paced the floor again.
Till midnight’s silence reigned around,
His discontent had reached no bound;

From his vexed sea he saw no shore,
He never had thus felt before.
His wonted bowl, for him had lost
Its deep oblivion, and crost
By broken dreams, his fevered breast,
Refused the arms of balmy Rest.
In this sad plight, a hideous cheer
Before him stood! The haggard seer
Of Aylor’s shrine of wickedness,
Has heard the accents of distress,
That broke night’s stillness, and has come,
To move the trouble burdensome.
Now Aylor spoke, when him he saw,
On whom he long had looked with awe;
“Here Micah! Micah! Micah! here!

To my complaint, oh lend an ear.
This morning as I strolled the wood,
Deep thro’ yon cypress solitude;
Where shores of sweetest green ascend,
And thick boughs in the waters bend;
Fair as the light, I saw a maid
Unclothe her beauty in the shade.
I never felt a sting so bright;
I ne’er saw such an earthly s!ght.
Not radiant May with her perfumes,
And songs, and show’rs, and painted blooms,
And streams of crystal cheerfulness,

Could vie with her in loveliness.
But, like a bird of gorgeous hue,
She vanished on my starving view!”
“Aye,” cries the seer, “no doubt have I,
That the same bird which you saw fly,
Is the fair Creole visiting
At neighbor Brentford’s watering.
She is a slave, a waiting maid,
Brought down from New Orleans, ’tis said,”
“A slave! a waiting maid! a queen
Why don’t you say; for ne’er was seen
A fairer cheek of Saxon hue
Nor prouder eye of brilliant blue.

Phoo, pshaw! a slave! a waiting maid!
That light-beam sweet from Heaven strayed?”
Loud cries the Seer, “A slave I know!
And can be bought as I shall show.
Dispel the phantoms of thy brain,
And turn to thy right mind again;
You must be sick!” “No,” Aylor cries,
“I’m dead in love!” The seer replies,
Go pass in rest this far spent night,
And by the time young morn’s in sight,
I’ll bring the news to set thee right.”

Now, Aylor, half consoled, adjourned
His thoughts till morn, and then returned
With Micah, to the Brentford seat,
The owners of the maid to meet.

The room was darkened where they met,
And all was quiet, save the fret
Of restless boughs, and whisp’ring leaves,
That mingle o’er the ancient eaves.
Now Aylor speaks, “For gold! for gold!
Aye, you but say she will be sold,
And you shall have your price all told.”
Awed by the speaker’s fiery eye,
The strangers whisper this reply:
“If her we sell, of this beware
She must receive your special care,
Not as a slave of low degree,
But as a ward, descended free.

And this day’s doings, ever keep
From earth a secret hidden deep;
For should the news, by any means,
Escape your lips to New Orleans,
And reach our aged father’s ears,
‘Twill grieve away his few frail years.
Know this, he loves Leeona more
Than all his children ten times o’er.
His frailty has a passion grown,

And each day more his love has shown,
Till she has to us all become
The bane of pleasure, hope and home —
The idol of his feeble days,
The object ever of his praise.
Here to this wat’ring near your home,
He with reluctance let her come.
Now from her keep the fact concealed,
That she is sold: for if revealed,
She’ll pine away, and droop and die,
Or from your house attempt to fly.

By wary speech, the truth we’ll mask,
If our aged father ask;
“What hath befallen me? Where’s my dear?
Why hast thou left my Ona there?”
This said, they drew aside and spake,
Concerning what price they should take;
And when agreed, they answered bold:
“Two thousand dollars down in gold!”
And Aylor with triumphant eyes,
Threw them their gold, and seized his prize.

With tembling hands they count their gains,
In haste divide with heartfelt pains;
For well they know a sister’s tears,
And sweat, and blood, their purses fill.
Ah! well they know a sister’s years,
Must now float onward at the will
Of him, who with a shamless cheek,
To buy the hand of love would seek.
The offspring of a father’s crimes,

The bitter fruit of broken vows,
The charming bloom of hapless climes,
The growth of unprotected boughs;
Within the grasp of blighting lust,
A lovely ruin now is thrust.
What tho’ a father’s heart shall break,
In spite of race Caste, taught to ache,
And yearn thro’ age’s kinder years,
For those to whom Nature endears;
What tho’ he wakes with deepest groans,
What tho’ his sleep with anguish moans?

When his first sorrow’s bitter blast,
By soothing words is guided past,
His law-owned brood, will run at last
Their race in peace; tho’ doomed by spite,
A sister thro’ the stormy night
Of bondage mourn, a sad, sad sight.
What tho’ his grief shall bow his head,
And while from view all pleasures sink;
He of a Quadroon’s injured bed,
In age’s twilight stand to think,
And often weep beside her grave?
Society will whisper “Slave!”

His love was wayward, and his wing,
Waved wand’ringly in life’s warm Spring.
He saw the Quadroon, and they loved —
He and Leeona’s mother, moved
Liked sounds of some wild instrument
Touched by the wind, and sweetly blent
Their lives in lasting pleasurement.
But Dame Caste turned her iron face,
And coldly frowned upon their course;
And drove sad love from faith’s embrace,
With all the heartlessness of force.

‘Twas thus by social interest’s sullen voice,
Another’s hands was made to be his choice.
And thus it is that many a love has grown,
Where even Christians dare make it known.
Where Hymen oft in gorgeous aspect shows,
From true love blossoms not a single rose;
While out in fenceless wastes of Nature spring,
Discovered only in wild wandering,
The purest blooms of love, whose fragrant breath,
Live thro’ all life and linger after death.

A sister’s life is signed away,
Her brethren can no longer stay
To see her drink the bitter cup,
Which they with sorrows have filled up.
Leeona kisses them good-bye,
Regards them with a tearful eye,
And long entreats them to make known,
Why she must there be left alone.
And then sweet as the fair-eyed dawn,

When her light steps first brush the lawn,
She meekly looked in Aylor’s face;
And artless as a timid fawn,
With all of innocence’s grace,
She reached a trustful hand in his,
A hand as pure as lilly is,
And gently followed, till from view
Within the Aylor seat they slow withdrew.

Now twilight waned and evening still,
Darkened the vales, while from each hill
Around came soft and lulling sounds.
From just beyond the vision’s bounds,
One voice was heard sweetest of all,
And pensive as a late rain’s fall
Through Autumn leaves when sad and lone
The fading forests make their moan.

This was Leeona’s, poor girl, torn
Away from childhood’s hopes to mourn.
Aylor, meanwhile in sullen mood,
On his piazza list’ning, stood
Roving thro’ mental solitude.
Full well he knew what Ona meant,
By her sad walks, and loud lament,
For he had caused it all.
His overtures of stark deceit,
She’d spurned and fled to this retreat,
To whisper in her Father’s ear,
Complaints He ever stoops to hear.

So Aylor in Remorse’s thrall,
Walked sullen thro’ his ghostly hall,
Within a nook of vine shades went,
And o’er his thoughts in silence bent.
In Ona’s heart though sad, there burned
A hatred deep, for all his aims;
And his entreaties, he discerned,
Were wind, and fanned the angry flames.
To her what were the Brazil’s spicy breath,
Or India’s sweet pride,
If life were fettered with a ghastly death,
That pained but never died?

This night too, Rodney wand’red forth to stroll,
And to the list’ning groves impart his soul.
The vision bright, that charmed his wayward dream,
Within this wood, beside the peaceful stream;
Returned when here he lingered. Now her home
To make at Aylor’s she a slave had come,

He could not pass where wrong was standing guard.
But love hath ways that are past finding out,
And secret triumphs, that how brought about,
No one can tell. Love hath an open eye,
And watches little signs that others would pass by.

“I saw her here,” thought Rodney to himself,
“‘Twas here she flitted by coy as an elf,
And in yon boughs her disappearance made,
When wanton sounds disturbed the morning shade.
Could I but tell her. Ah! but fate forbids!
Poor Hope can’t open there her dazzled lids.
Yet I did see her, oh, I saw her here!
And in my dreams she still doth bright appear.
Thank Heav’n there’s none too crushed by wrong to see,
And beauty’s the beholder’s property.”

But now his hope thro’ darker clouds declines,
And thus within the sounding shade he pines:
“No more to me ere life’s short race be run,
Shall e’er arise another happy sun.
How shall I break the vision that me wounds,
And drive it from my recollection’s bounds!
A poor seafarer, and his star gone down,
From tempest-arms while clouds of heaven are thrown,
And wave-tossed danger wails to seize his bark;
Am I, now drifting thro’ a wreck strewn dark.

Oh, why kind Heaven, plant within my breast,
A blooming sorrow — love begot unrest?
Content to bear tho’ let me journey on,
Light yet may break life’s dismal waste upon!
Now in the cypress gloom, he hushed his strain,
And homeward turned his mournful face again.

Eavesdropper winds, on errands from the South,
In sandals tripping, and with dewy mouth,
To Rodney turned, and whispered in his ear,
The broken murmurs of a sweet voice near.
A maiden sat within the fragrant shade,
And to the night this lamentation made:
“This life is all unreal as a dream,

Here woes chase woes, like waves upon a stream.
Back yonder, just within the past I see
A bow’ry home, where hands do becon me,
To join the buoyant hearts of childhood’s train,
And tread the blossom’d paths of hope again.
But here I am, away from home and friends,
While o’er my head a cliff of sorrow bends,
Strange bodings haunt my pillow in the night,
And day uncovers terror to my sight.
But, whom I saw last eve within this shade,

Methought had by this time another advent made.
A strong companion of a troubled heart,
He seemed; oh, that to him I could impart
My woes; oh, that I could but see him once!” — here
She raised her eyes, and lo! the man was near.
Away she started at a frightened pace,
With red abashment kindling in her face.
Oh, was it real, could all this be true?
Was that the nymph, O what must Rodney do?
“Stay, maid!” he cries, “my wounded soul implores,

Stay, fair one, stay! until my tongue explores
The hidden longings of a leaping heart;
Hear what a wounded spirit would impart.”
Beyond the fence, and near the spring lawn gate,
Leeona paused, the speaker’s steps to wait.
With timid mein, and from the other side,
Now Rodney leans, where blossomed vines divide,
And gathers words with anxious haste to tell,
The blushing beauty that he loves her well.
She answers with a sigh, and turns away,
And with her straggling locks begins to play,

Looks up again to speak, and only sighs,
But dazzles wite the language of her eyes.
Then Rodney sighs, and leans, her hand to reach
And press, that he may aid his falt’ring speech.
Her fingers touch him with a conquering thrill,
Her eyes could wound, her timid touch can kill.
He murmured something, what, no mortal knew,
And pressed the gate ajar, and stumbled thro’;
And as Leeona sauntered slow away,
He whispered, but unheard, “Oh! angel, stay!”
“Oh, moon, speed on thy coming,” then he said,
As blushing light beheld the tall slow maid,
Walk from the boughs, towards the mansion rise,
And flash around her over-pow’ring eyes.

Now Rodney’s soul fair realms of pleasure knew,
And Time’s face brightened as he onward flew.
All sights to him from sadness now awake,
For him the forests into music break,
Thoughts of Leeona speed the moments by,
And they with pleasure lighten as they fly.
His life was now a dream, in which care lay
Like labor’s slumb’rous body, when the day
To night, and rest and lulling sounds gives way.

Thus many a day his burden down he threw,
And half the pangs of slav’ry never knew.
And thus it is, love hath a charm for life,
Whate’er the station, and whate’er the strife.
Where’er we roam, where’er our lot be cast,
In home’s sweet shine, or in the raving blast,
Love to the soul a ray of light doth bring,
And scatter pleasures from his hopeful wing.

His advent lights up e’en the slave’s poor shed,
And sweetens humble labor’s daily bread.
Without thee, Love, what were the shepherd’s reed?
Without thy blessings what the flow’ry mead?
From thy rapt fountain patriotism flows,
In thy fair province tall ambition grows,
Proud aspirations lean toward the skies,
And hight on hight great emulations rise.
Tho’ fortune smile in some voluptous land,

Tho’ fame weave laurels with a lavish hand,
The homely swain of Scotia’s thatch-built shed,
Pines for his frugal meal of milk and bread,
Longs for his oaten tune and herded vales,
His shouting harvests and echoing flails.
And why? because sweet love can make him yearn
For early friendships, and his native bourne.

Some Sylvia charms the rustic’s lowly dell,
The water sweetens from his native well,
The hills ennobles on his happy view,
His even plains with fresh delights doth strew;
The rough face brightens of his daily care,
With satisfaction crowns his scanty fare,
Pours pleasures in the lap of lusty toil,
And forces plenty from the stubborn soil.
To him, no hills above his own arise,

No vales so pleasant meet his ravished eyes,
And clouds so peaceful soften no serener skies.
To him no waters like the faifhful rill,
That murmurs by his cot beneath tee hill,
No tune so charming as his highland air,
No flocks so even, and no lambs so fair.
To him no land at all, no world besides
The world of love, that in his heart abides.

See where yon hero drives his way to war,
With Feast or Famine harnessed to his car.
O’er crumbled thrones, his flaming prowess lead,
And at his wheels imploring Commerce bleeds!
Some Cleopatra names the war-doomed lands,
And thrusts the torch of battle in his hand.

Night after night our lovers met and parted;
Night after night they grew more aching hearted,
Took moonlight rambles in the secret shade,
Wider and wider their excursions made,
And ev’ry night longer and longer stayed.
Oft arm-in-arm, with child-like dalliance, they,
Aud devious eyes, pursue their lonely way,
Or turn aside beneath the arching groves,
In scented nooks, to prattle o’er their loves;
Till smiling thro’ the drowsy branches bright
And peaceful, a late moon bids them “good night.”

Again the shades of night were falling round,
Tnd every hilltop now a speech had found,
When lost in bliss, the lovers met the moon,
Beyond their wonted rambles; but there soon
A crouching fury, who had scanned their walks
And drunk the whispers of their secret talks,
A master who can dare fordid their loves —

Flies on them like a hawk on thoughtless doves.
Leeona, clasping Rodney, starts and cries,
And Aylor hard to tear her from him tries;
Till Rodney’s hand with warning aspect laid
Upon his shoulder, his hot rage allayed.
The shud’ring winds bore Aylor’s threats around,
The groves their bosoms hushed to catch the sound,
But Rodney led his gentle Ona on,
And with her stood the threshold safe upon.

Now to her room, Leeona sauntered slowly,
A dim light on her table flick’ring lowly —
And sat awhile to ponder her sad heart;
A locket, gift from Rodney, took apart,
Looked on his picture, held it to her breast,
And with a sad, sad heart, assayed to rest.
Her light gone out, the room was dark, except
That thro’ her lattice a shy moon beam crept
And looked into her troubled face, but fair,
That now upturned was still in fervent prayer.

She knew not that her faithful Rodney, near
The wall beneath, her lightest word could hear,
As thus she prayed: “Out of the storm, Oh, Lord!
Thou wilt bring shine to those who trust Thy word!
If draughts of bitter grief must first be ta’en,
Oh! Thou dost fill with brimming joys again!
Now in whatever land my Rodney mourn,
Or ‘mid whatever trials he sojourn,
Like walls of strength around him, Oh, Thou King
Of Saints Thy mighty arms of succor fling!”

Lo! Rodney answers: “O, my Ona, dear,
If thou dost pray, I know the Lord will hear!”
Now to her feet the Creole bounds,
On tip-toe to the window steals,
Where blossomed vines her form conceals;
But clank of chains, and bay of hounds,
Stentorian oaths, and raving sounds,
Burst on her ear, and freeze her speech,
Ere yet her words can Rodney reach.

Now thronged about by twenty men,
And savage bloodhounds, nine or ten,
That howl with rage, and gnaw and bay,
Like demons that from Tophet stray,
Thro’ nether worlds to wing their way.
Rodney, with irons loaded, she
Must turn away, or bear to see.
But as she turns, the hounds appear,
And in their deep jaws Rodney tear.

Unarmed he falls, with pain he groans,
A gust of loud oaths mocks his moans,
While human monsters gather round,
And fierce dogs drag him o’er the ground,
Till he in cords of hemp is bound.
“Oh, save!” gasped Ona, as she, poor
Sweet child, sank swooning on the floor.
A moment there, a fair corpse seemed,

As in her face the sad moon beamed;
Then frantic rose, and down stairs flew,
And on her lover’s bosom threw
Her wild sweet form, his stout neck drew
In her soft arms, and her cheeks fair
Nestled on his, and with her streaming hair,
Covered his bleeding shoulders that lay bare.

And this is Slav’ry! the wise faced creed,
That stretched a helping hand to Afric’s need.
The holy Institution that was bound
To raise the heathen, tho’ the Heavens frowned!
Ah! this was what a righteous Nation heard
Pray in her temples, and expound the Word.
This was Creation’s good Samaritan,
And poor old Afric was the thief-torn man.
Oh, who has not the dear good shepherd seen,
Stand Moses-like, God and His hosts between,

Bless Slavery as a child from Heaven born,
Since Joseph was from poor old Jacob torn;
Watch ever sleepless, o’er his peaceful fold,
Unawed by dangers, uninduced by gold,
And weep if one poor lamb from shelter cries?
That is, one white lamb; if black, shut his eyes.
Ah! Young America, for God’s sake, pause,
Hast thou such preachers, and hast thou such laws?

With ruffian hands, the maid was to her room
Forced hurriedly, and shut within its gloom.
Sad as the evening star’s last glim’ring ray,
Now from a swoon, pale Ona crept and lay
Half conscious, till the night had far away
Towards the morning sped.

Wild phantoms wandered thro’ her fevered brain,
Sweet slumber from her eyes its flight had ta’en,
And fainting hope had fled;
When in night’s silent depths she heard a sound,
As of shy footfalls, that on tip-toe, wound
Along the mansion’s stairs, now quick and low,
And now hesitatingly slow.
Then all was still, save that she heard
Upon the roof, light boughs that stirred,
And clasp’d at winds, that with them played,
And off in outer stillness strayed.
Again the cautious sounds revived,

And stood there motionless as death,
Till borne upon a husky breath,
This sentence thro’ the key hole blew:
“Git up, my child, Ise cum fur you!”
‘Twas “Aunt Ameriky,” — she knew —
She bounded up, she followed fast
Her sable guide, who hurried past
Her master’s door with breathless ease,
And stood beneath the silent trees.

Then thus, low spake the good old guide,
“In yonder room is Rodney tied,
Where stands a locust on dis side.
De white folks sell him in de morn,
An he’ll be left yer, shore’s yer born,
Go see him gal, bid him farwell,
An’ tell him what yers got to tell.
An’ I’ll stand here de outside by,
An’ keep watchout wid open eye.”
Now near this room — a prison made
In which to keep slaves till conveyed
Into their buyer’s custody —
Leeona stole on cautiously.

Where thro’ a crevice in the wall,
A late moon lighted up his thrall,
The pale maid saw her lover lie,
And called him with a burning sigh.
He answers: “Ah! is that my dove?”
And she, “Oh, have they bound you, love?”

The ebon angel of the night,
Now flew away and out of sight,
But soon returned with keys in hand
And knife, and giving this command:
“Cum wid me, chile!” unlocked the room,
And entering its sepulchral gloom,
Stooped to her knees npon the floor,
The knotty fast’nings to explore
Of Rodney’s arms; her knife apply,
And loosing him, let Ona fly
With outstretched arms to his embrace,
Lean on his breast and look into his face.

A moment passed, and drinking Ona’s sighs,
The proud slave stood, while with his downward eyes
He caught the azure of her tender gaze,
And felt his kindling manhood all ablaze.
“Naught have I borne!” he cries, “love, but for thee,
These bloody tokens of the truth, oh, see!
Would I could Northward fly and now be free!

But where thou art not, all is bondage dire.
I’m free in chains, if I but in the fire
Of thy sweet eyes, may feel my heart inspire.
I now could arm, and would at once assay,
The vile destroyer of my joys to slay;
But then the law would drive me from thy sight,
Then day were darkness in my soul’s long night.”

Now thus Leeona, gazing in the moon,
“Haste, Rodney, lo, the day will open soon!
Hie to the cave, on yonder side extreme
Of that vast wood, where not the staunchest beam
Of potent noon can thy dark seat invade;
Keep hid by day, by night explore the shade.
There we shall meet. I’ll there late rambles take,

And come to thee. The signal I will make
Is a low song, when there’s no danger nigh,
Then we will walk; but hark, a footstep, fly!
Nay, come now dearest to this further shade,
Where our light converse may not be betrayed.
Tread lightly, ah! speak low, for now I fear
Suspicion walks abroad, with open ear
On night’s still lips. Haste, Rodney, come away!

Still! there, thy heart unburden, make no delay.
List! hush! a hoof, ’tis — no — my beating heart;
That night bird, hark how lonely! Oh, I start!
For now methinks his note doth omens bring
Of sadness, all my poor heart saddening.”
No evening shepherd ever tuned a lay,
Of sweeter accent, down his mountain way
Homeward returning at the close of day,
Than Rodney’s speech was in Leeona’s ears,
Till in the hall a certain step she hears.

His arms once more round ‘Ona Rodney flings,
And sudden freedom to his flight lends wings,
Towards the cave he turns his flying face,
This way and that, and leaps at every pace,
To keep up with imagination’s feet,

That brush by him in noiseless retreat.
The cave is reached, and wide apartments found,
With easy access, hollowed in the ground.
And ent’ring slow, now Rodney feels around,
Finds shelves of stone, and seats and beds of stone,
But windows, attics, and piazzas, none.

Meanwhile Leeona, noiseless as a sprite,
Flies thro’ the halls, and up the ancient flight
Back to her room, and softly sinks to rest,
Till morn shall chase the darkness towards the West.
‘Mid all the jars that shook the Aylor seat,
And hot suspicions, Rodney’s dark retreat
Was ne’er discovered; and Leeona true
As only woman can be, ‘scaping thro’

The darkness, met him oft, and took him food,
And gave him comfort in the dismal wood.
Of how she met him, cheered him; noble slave!
And lighted up the dungeon of his cave,
And with him walked thro’ moonlight rambles long,
Cannot be painted in our faithful song.

Elijah, fed by ravens, it would seem,
Might have thought all the world a monstrous dream;
And Peter seeing wild beasts in a sheet
Tied up, and angel’s crying “slay and eat,”
May have been awed at his supply of meat.
But what must he have thought, who chased by men
And hounds, from human sight into a den,
The angel of his love found stooping there,
Him to refresh, and his abode to share?

 

An Idyl Of The South by Albery Allson Whitman

An Idyl Of The South-by Albery Allson Whitman. Albery Allson Whitman was a 19th century African American poet who, despite being born into slavery, carved out a career for himself as a poet and orator. He served as a pastor throughout the south and mid-western regions of the United States. His poetry was universally well received and he became known as the “Poet Laureate of the Negro Race”.

He is included in the anthology African-American Poetry of the Nineteenth Century where his efforts are described as “attempts at full-blown Romantic poetry”. Some even compared his verse to that written by well-known American and British authors who wrote in the Romantic tradition. One of Whitman’s poems is called Ye Bards of England which extols the virtues of the great literary figures from English history and begins:

 

 

An Idyl Of The South by Albery Allson Whitman

Hail! land of the palmetto and the pine,
From Blue Ridge Mountain down to Mexic’s sea;
Sweet with magnolia and cape jessamine,
And thrilled with song, — thou art the land for me!
I envy not the proud old Florentine
The classic beauties of his Italy;
Give me but here to have my glory dream,
‘Mid fragrant woods and fields — by lake and stream.

Come with me then, — who have your leisure hours —
Where mem’ry’s path divides a fragrant shade;
Here on the lap of old Acadian bowers,
Come, rest you where no vulgar sounds invade.
Come, for the air is fresh with sparkling showers,
And dark with curtains, of magnolia made;
So from life’s care awhile come sit apart,
And listen to a story of the heart.

I shall not sing to you a sounding lay
Of gods contending till the lurid air
Is hoarse with the loud fury of their fray;
Shall not recite the lofty deeds and rare, —
The glories which attend the heroes’ way;
But I shall lead you where the walks are fair;
Where tufts of shade, and now and then a song,
Wait to delight us as we pass along.

The truthful story which I here relate,
Must run on like the prattling of a rill;
On heights of pleasure we shall sometimes wait,
Through winding vales shall loiter, if we will;
And we shall find that not among the great,
An Eden may the lover’s dream fulfil;
But lowly walks the fairest ends may bring, —
A lovely slave may even charm a king.

‘Mong hills of sturdy oak, my native land,
Where roll the waters of the Tennessee,
And palmy groves on Tampa’s sea-washed strand,
Are shrines of love forever dear to me.
And where the old Acadian mansions stand
Mid strange lagoons and by the dark Swanee,
I knew a creole, tall and lustrous-eyed;
And in my heart I hold her still with pride.

There, in the shadow of the cypress wood,
Where brooding Silence showed its thankful face;
Where moss-draped trees like Druids praying stood;
I’ve seen this idol of a gentle race,
When, like a spirit of the Solitude,
A paragon of Southern pride and grace,
She there inhaled the breath of fragrant bowers —
The sweet extravagance of shrubs and flowers.

When joyous as a brook that in its flow
Descants of promise in a hopeful lay,
Which ever leads the hearing soul to know
That bliss awaits us in a coming day.
I’ve watched her, where the minstrel warblers go
Among dark boughs, all undisturbed and gay,
When floods of song their brilliant joys revealed,
And felt that beauty to their hearts appealed.

And I must tell you of this Octoroon,
This blue-eyed slave, what sounds like a romance:
Her master was a fair young man, and soon
The proudest soul that Love, in seeming chance,
Had led beneath the full round Southern moon,
To coax sweet eyes to give him glance for glance;
And with her happy speech and sparkling wit
His fair slave charmed his soul — and captured it.

A lithe and shapely beauty; like a deer,
She looked in wistfulness, and from you went;
With silken shyness shrank as if in fear,
And kept the distance of the innocent.
But, when alone, she bolder would appear;
Then all her being into song was sent,
To bound in cascades — ripple, swirl and gleam,
A headlong torrent in a crystal stream.

Her name was Lena. She was but a child
In all save beauty; but she was a slave.
In far Unyoro’s wastes, Obokko’s wild,
Or by the blue N’yanza’s boatless wave,
Where hearts by worldly greed were undefiled,
‘Mid Afric’s groves some sweet ancestress gave
The strain of life which now still rushed along,
To warm her soul and break in tides of song.

White wonder of creation, in our clime,
‘Mid vistas cool and in the dark recess,
She mused where Nature wrought the true sublime,
And wove a habit for wild loveliness.
There where, like sentinels at the gates of Time,
Old live-oaks stood in grim and sober dress;
She learned the stately mien and charming speech,
Which only our old Southland’s scenes could teach.

Where Meditation found a leafy shrine,
And Vision wandered in a waste of bloom,
She touched her lips to Fancy’s ruddy wine,
And knew the bliss of Pleasure’s rare perfume.
Where zephyrs round her like sweet nuns did pine,
Who whispered prayers in some old cloister’s gloom;
Superb in form, divinely sweet in face
She grew — the charm of her delightful race.

With her young master she had strolled the green
When Heaven was in a shining overflow;
Had watched the stars the sleepy boughs between,
When winds crept by, almost afraid to blow.
But not as wooers had they thus been seen, —
Not as mere lovers at the trysting, — no!
The gentle slave no friend had ever known
But her proud master, and she was all his own.

He was of manly beauty — brave and fair;
There was the Norman iron in his blood.
There was the Saxon in his sunny hair
That waved and tossed in an abandoned flood;
But Norman strength rose in his shoulders square;
And so, as manfully erect he stood,
Norse gods might read the likeness of their race
In his proud bearing and patrician face.

A slave she was, but beatiful and dear!
Her ancestors had ridden with Hamilcar,
With heads of kings swung to their horses’ gear,
Upon the one hand; while at Trafalgar,
When England’s fleets made trembling Europe hear,
And flung the borders of her reign afar,
They, on the other had with Nelson stood —
Who, then, we ask, could boast of prouder blood?

No Cleopatra nor Semeramis;
No jewelled favorite of a Persian throne,
Could ever have the lily soul of this
Young slave, who through the old South walked alone,
‘Mid fields of waving grain, and knew the bliss
Of wading where the clover was full blown;
And listening to the music of the boughs,
While on the meads she heard the lowing cows.

Slaves have been many — Roman, Persian, Greek,
And harem beauties — Indian, Hindoo, Turk,
With eyes whose luring depths could softly speak,
Of souls wherein consuming passions lurk;
With shapely forms, on soft divans antique;
Where lace clouds hung in dreams of handiwork;
Sweet sounds Eolian through soft labyrinths crept;
And fragrance breathed where dainty zephyrs slept.

These creatures of the languid Orient, —
Rare pearls of caste, in their voluptuous swoon
And gilded ease, by Eunuchs watched and pent,
And doomed to hear the lute’s perpetual tune,
Were passion’s toys — to lust an ornament;
But not such was our thrush-voiced Octoroon, —
The Southland beauty who was wont to hear
Faith’s tender secrets whispered in her ear.

“An honest man’s the noblest work of” — No!
That threadbare old mistake I’ll not repeat.
A lovely woman — do you not think so? —
Is God’s best work. That she is man’s helpmeet,
The Bible says, and I will let it go;
And yet she crowns and makes his life complete.
Who would not shrive himself in her dear face,
And find his sinless Heaven in her embrace!

Young Maury loved his slave — she was his own;
A gift, for all he questioned, from the skies.
No other fortune had he ever known,
Like that which sparkled in her wild blue eyes.
Her seal-brown locks and cheeks like roses blown,
Were wealth to him that e’en the gods might prize.
And when her slender waist to him he drew,
The sum of every earthly bliss he knew.

They had grown up together, — he and she —
A world unto themselves. All else was bare, —
A desert to them and an unknown sea.
Their lives were like the birds’ lives — free and fair,
And flowed together like a melody.
They could not live apart, Ah! silly pair!
But since she was his slave, what need to say,
A swarm of troubles soon beset their way?

Just in the dawn of blushing womanhood;
Her swan-neck glimpsed through shocks of wavy hair;
A hint of olives in her gentle blood,
Suggesting passion in a rosy lair;
This shapely Venus of the cabins stood,
In all but birth a princess, tall and fair;
And is it any wonder that this brave
And proud young master came to love his slave?

He was a handsome and a noble fellow, —
Her master was, and now the hour was late.
The moonlight in the mulberry leaves was mellow,
Or rather, silvery soft, and seemed to wait; —
The moon had smiled when he began to tell, — oh,
Well, I might, perhaps, as well not state
What this young Saxon told his Octoroon,
When they were looking at the happy moon.

The dark shades round with fire-fly swarms were blinking,
And in the stillness of the mulberry tree
There was suggestion, — to my way of thinking
The trees may listen and the stars can see, —
The leaves had breath, the stars were through them winking,
And shadows seemed to veiled spectators be;
When Lena, looking in her master’s face,
With sinless trust leant in his strong embrace.

O’er her white brow the wistful moonbeams stole,
And, tangled in her tresses, seemed detained;
But soon, like fleeting fancies in the soul,
Were gone; — ah! could they only have remained.
And when night’s minstrel bird began to troll,
And pour her song in torrents forth untrained,
To rill through boughs and float along the skies,
The slave girl sighed and raised her wondering eyes.

And Maury clasped her, waving like a spray;
He stroked her locks; he tossed them — let them fall;
And saw the scattered moonbeams flash away,
Like silver arrows from a golden wall.
And there were whispers then like elves at play,
And through the leaves the winds began to crawl;
When Lena listening, heard her heart’s quick beat,
And startled, thought she heard approaching feet.

And am I doing violence to taste,
Or pride, or honor? Call it what ye will.
What of it? Why let beauty run to waste,
And hateful weeds Love’s blissful Eden fill?
Or, why should manhood suffer heartless caste,
To rob the bosom of its passion-thrill?
Young Maury loved his slave, and he was free
From meddling tongues beneath the mulberry tree.

If it be shame to love a pretty woman,
Then shameful loving is a pretty thing.
And of all things the most divinely human
Is this: — Love purifies life’s Fountain Spring;
And he who has not quaffed that fount is no man —
I’d rather be a lover than a king.
And then, preach as we will or may, we’ll find
That Cupid, dear young god, is sometimes blind.

Fair Dixie Land, thy sons of old were brave,
And earth proclaims thy daughters passing fair;
Thy blood and ancient prestige I would save,
Since time atones, and kindly bids me spare;
But why despise a daughter, though a slave,
Who was as taintless as the mountain air?
Why shun her, as a Magdalene within
Thy gates, when beauty was her only sin?

As homeward with his maid young Maury went,
His father shortly met him in the way,
And asked abruptly — what such conduct meant;
But would not hear what Sheldon had to say.
His heart was fixed and on prompt action bent;
He threatened in his ire to bring dismay
To son and slave — “to drive from home the pair”;
But Sheldon smiled to see him “beat the air.”

Love will not work by diagram or chart;
Will not be schooled by old Sobriety, —
Can not be reckoned as a “polite art;”
Nor as a child of “good society” —
Not wholly so, — love rules or wrecks the heart.
Now Sheldon’s father preached propriety;
For he was old enough to do such preaching,
But Sheldon was too young to heed the teaching.

Fair Morn’s descent upon the ocean shore
To sprinkle rock and wave with pulverin
Of mystic gold; the sound of breakers o’er
The lone beach piling; the adjacent din
Of woods; the storm’s cry and increasing roar
Of distant thunders, move the soul within;
But lovely woman beats earth, sky and ocean
In stirring manly souls with deep emotion.

And Maury could no more prevent his heart
From feeling than he could the tide prevent,
When Lena from her soul a song would start;
Or round him like an angel, brightly went.
The fine suggestions which he saw in art,
In her were strong with all that living meant.
And so his heart ran wild, and, without thought
Of consequences, in him now had wrought.

Infatuation. But it would not do.
“A shame!” his father cried, and then looked grave.
“The girl was good and pretty, that he knew;
But Sheldon must remember — was his slave.”
Into a rage, the young man straightway flew;
Against “Society” began to rave;
Withdrew and walked alone or stood morose,
As if the world for him held only foes.

Refusing food, he scarcely spoke a word,
But he would talk with Lena when he could;
And from his room upstairs, he seldom stirred.
“The truth was clear,” his mother understood.
“My boy will lose his mind,” she oft was heard
To whisper. “Nay, don’t cross him in his mood.”
And then she’d say to Lena: “You may go
And tell your dear young master” so and so.

And Lena went, — to his dear arms she flew.
A gust of joy, — a thousand nothings said;
Heard all he told her, — told him all she knew,
And like a burst of sunshine round him played.
Ah! she was helpless, but her heart was true;
And woman’s heart when true, with earth arrayed
Against her, conquers all, and ever will.
The gods are with a loving woman still.

Thus runs the story of an Indian bride:
‘Mid virgin woods along the rolling James,
A sweet young savage spies a white man tied, —
Ah! sneer not now, sophisticated dames!
Loves him at sight and, flying to his side,
Her only plea, a woman’s love proclaims.
And Powhattan, — for what else could he do? —
Accepts her plea, and loves the captive, too.

Joy now finds wings, — the news spreads far and wide,
And festal wood-fires stream through spectral boughs;
For Pocahontas is a white man’s bride, —
A virgin savage hears the white man’s vows.
She is to be his wife, his country’s pride,
Her people’s cause his country shall espouse;
And while the winding James shall roll along,
The forest glades repeat her bridal song.

How weirdly grand the tale has seemed to me,
Of Pocahontas and her lover, who
Perhaps sat on the trunk of some old tree
And watched the evening star go blazing through
Dark tops beyond, and saw, as lovers see,
A nascent moon unrobing to the view;
While, as they watched, he told her how the night
Is earth’s great shadow following its flight.

He may have told her how that shining star
Goes round and round forever and forever;
And that it is so far off — O, so far!
A bird could fly and reach it never, never.
Or told her what new moons, what full moons are,
And found himself repaid for his endeavor
When he looked in his dusky pupil’s eyes,
Aglow with love and sparkling with surprise.

Perhaps he spoke of lands beyond the sea;
Of cities and great “wigwams” built of stone;
With walls as high as any forest tree; —
Said she one day should such a wigwam own.
And then, I ween, she nestled lovingly,
And felt his arm around her gently thrown;
And from that hour, true love has kept her shrines
Beneath the old Virginia oaks and pines.

Now Lena was the child of teeming farms;
The squaw-girl was a native of the wild.
The one was rich with thought’s distinctive charms, —
The other simply Nature’s untaught child.
The one held faith clasped in her glowing arms;
The other held a stranger’s hand and smiled.
And Lena’s cheeks with health’s proud rose were tinted,
While in the squaw-girl’s ne’er a rose was hinted.

Great Randolph, genius of the acrid tongue,
Eccentric, proud, whose words in high debate,
Were wasps of fire that scorched and hit and stung
When he that hawk-voice pitched to irritate,
And haughty challenges were lightly flung;
The hounds and Negroes on his vast estate,
Fared better than the noble Senators,
Who dared to meet him in polemic wars!

And Randolph claimed that blue blood — bluest blue —
And blood of Pocahontas in his veins
Their torrents wildly clashed and mingling threw.
And so, he stood aloof in pride’s domains,
While love of country, — only love he knew, —
Was all that gave his life those nobler strains
Which charmed his great compeers, — their country’s pride —
Made them his friends, and drew them to his side.

The “Sage of Ashland” — earth’s unrivalled Clay,
Lashed by his wit and withered by his scorn,
Sought the ignoble “code” to wipe away
The biting insult, and though mighty-born, —
The Cicero of his historic day —
His life was thus of highest glory shorn,
Till kindlier age to him had reconciled
The proud descendant of Powhattan’s child.

But to our story let us now return:
Young Maury grew more moody every day,
And his proud mother thought she could discern
His mind “beginning, plainly, to give way.”
But “Wait,” his father urged; “I’ll have him learn
That I can check him in his childish play.
I’ll sell the girl and straightway let her go;
But till she’s gone, I will not let him know.”

“My way is clear. The affair I’ll thus arrange:
I’ll carry Lena with me up to town
Upon a visit. — This will not seem strange, —
And thence I’ll hire Hanks to take her down
To Major Royall’s. Then my son may change
His course or stop. And when he has outgrown
The whims and foibles of a vapid mind,
He’ll laugh to think he once was color blind.”

The mother shook her head and sadly smiled;
And said, “I have not anything to say.”
But vowed: “I never will be reconciled,
Will not agree to send the girl away.
She is my slave and nothing but a child;
And she has done no crime; say what we may.”
And as she spoke, the mists came in her eyes
Like hints of rain which fill blue summer skies.

“My boy,” said she, “I know has but one thought
“And that is to befriend a helpless girl.
And did he not do so, he surely ought.
She is as brightly pure as any pearl
Wave-hued, from deepest caves of ocean brought;
And Sheldon Maury is nor knave nor churl!”
And brighter sparks from flint were never dashed,
Than now from this proud lady’s blue eyes flashed.

But — love his slave! Could such, a proud man do?
Should this with shame not hang a Maury’s head?
Nay, loving arms which Lena fondly threw
Around her master’s neck, while her eyes plead
With tender flame, moved him, and rightly, too.
For, did not Persia’s Monarch love a maid
Who was a slave in Shushan, — crown her queen, —
The meek ancestress of the Nazarene?

And Moses, great law lord of Mount Sinai;
Found in a desert path of Midian
A dark-eyed Shepherdess, lute-voiced and shy,
With Jethro’s flocks, her cheeks were olive tan,
Tinged by the glare of an Egyptian sky, —
And claimed her for his bride, far worthier than
The titled beauties of the Memphian court,
Who led imperial rakes in royal sport.

And ‘mong the flowers in Bethel’s corners hid,
A sweet-faced mourner gleaned the scanty grain;
When lordly Boaz, noting what she did,
Called to the young men in his harvest train,
And, pointing, said: “To touch her I forbid.”
But drop for her some handsful from the wain.”
“Yea,” cried the reapers, and were singing heard; —
But Boaz, he hung back to speak a word.

The flower of Moab, blushing at his feet
Among the sheaves, was sweet to look upon.
She sat and sang, and filled her lap with wheat;
She sang of Israel. The harvest sun
Was in her face, but once she glanced to meet
The eyes of Boaz and the work was done;
Her soul was in her lovely eyes disclosed,
And Boaz faced his sunrise, — he proposed!

How sweet to think that, if the golden grains
Of life’s imperial harvests never fall
Upon our threshing floors, there still remains
A sheaf for gleaners, — that we, after all,
May follow, and behind the reapers’ wains,
Take up love’s scattered handfuls, though but small.
That Fortunatus, where he passes through,
Must still leave work for loving hands to do.

Before the world, I hold that none of these:
The Shushan slave, the Oreb shepherdess,
Nor Moab’s gleaner, ever had the ease
Of carriage, grace of speech, the stateliness
Of step and pose, nor had the art to please
And charm with symphonies of form and dress,
Nor had such wond’rous eyes, such lovely mouth,
As had this blue-eyed daughter of the South!

Had priest or prophet ever heard her singing,
Or seen her, where the clover was in bloom,
Wading knee-deep, while larks were upward springing,
And winds could scarcely breathe for want of room —
Thus seen her from the dappled hillsides bringing
The cows home, in the sunset’s golden gloom,
Our good old Bible would have had much more
Of love and romance mixed with sacred lore.

What man is there who would not dare defend
A life like this? Is doing so a sin?
Or who should blush to be known as her friend?
White wonder of creation, fashioned in
The moulds of loveliness; kings might contend
On martial fields a prize like her to win,
And yet, the cabin’s hate and mansion’s scorn, —
She suffered both, betwixt them being born.

The mating bird upon the freest wing
That ever cleft the woodland’s joy-tuned air,
Should not be freer for her mate to sing,
Than woman should be, on her bosom fair —
Devotion’s home, to press love’s offering;
To pillow manly faith and shrine him there.
Thus pure and free, love born of God is real,
Is soul companioning its best ideal.

When genial Spring first hears the mating thrush,
Where waters gossip and the wild flowers throng,
Love rears her altar in the leafy bush,
And Nature chants the sweetest bridal-song.
When love is free, with madness in its rush,
Its very strength defends the heart from wrong.
Love, when untutored, walks a harmless way,
With feet, though bare, that never go astray.

The hedges may obscure the sweetest bloom, —
The orphan of the waste, — the lowly flower;
While in the garden, faint for want of room,
The splendid failure pines within her bower.
There is a wide republic of perfume,
In which the nameless waifs of sun and shower,
That scatter wildly through the fields and woods,
Make the divineness of the solitudes.

But marriage is Love’s Heaven, none the less;
And ceremony is a happy thing.
And beautiful are all the offices
Of our religion. When fair virgins sing,
The organ peals, and symphonies of dress
And flowers before the altar stir, — which Spring
Has been despoiled of bloom to decorate, —
Then marriage truly ‘s a divine estate!

That is, if love be in it. If the heart
That throbs and trusts beneath its clouds of lace,
Be innocent of the dissembler’s art,
If there be inwardness in Love’s embrace;
If on Life’s voyage true lovers make the start,
And each soul’s compass is the other’s face;
Then there’s a Wedding, that sweet union made,
Which “none may sunder,” as it hath been said.

But music, lace and flowers, with altar, priest
And prayers, have never made a wedding, — nay,
Nor ever will! I would not say the least
Against religion, — would not break away
From her restraints; nor have doubt in my breast
That there is good which comes to those who pray;
But it hath been since earth first saw the sun, —
No power but love can ever make twain one.

O, Earth, Sea, Stars and boundless realms of air!
What were ye all had not dear woman come
To make man put on clothes and trim his hair.
The wide world would have been without a home
In all its shades, and thistles of despair
Would have sprung up where naked feet must roam!
But woman came, thank Heaven! — Earth’s noblest creature
And woman’s love lights every human feature.

O Love! thou sweetest influence of the soul, —
First-born of Heaven and earth, — thou all-divine,
I bless, I worship thee! Thou dost control
All thrones of Light, — all realms of song and shine;
And shouldst thou empty forth and send thy whole
Bright colonies from those high worlds of thine,
They all could not eclipse one loving woman,
In frailty so delightful, since so human.

At early morn the old plantation stirred,
And toil went humming in its usual way,
While heart-born shouts in all directions heard,
Were earnest signals of a busy day.
Then Maury’s father with a friend conferred;
And calling up a house boy, turned to say,
With nimble speech and glibbest unconcern:
“Bring out the wagon. Quick! Let’s see you turn.”

The patient blacks, — those children of the sun,
Were singing; in the distance you could hear
Their song-bursts as if angels had begun
To fill the clouds; now sang they loud and clear,
And now the low refrain would break and run
Beneath the deep’ning shadows far and near,
Throughout the cypress groves along the shore,
Where aspect weird the Southern landscape bore.

Ribbons of sunshine long and delicate,
Were spun out through the mosses on the trees;
And in the depths a spirit seemed to wait;
A breath of awe hung on the lazy breeze;
And as the wagon left the mansion gate
At speed, a deep suspense the girl’s heart seized;
But there was naught explained, though much was said,
That round the truth through hidden meanings led.

Oh, Innocence, and must it ever be
That violence for thee in wait shall lie?
Since beauty is a snare, a net to thee,
Spread for thy feet, an exile must she die,
Whose crime is love? Oh, hath not Charity
A plea for her that will be heard on high?
Nay, Lena must depart, and can not know
What fate compels, nor why she thus must go.

The wagon reached the town. Hanks was on hand, —
He always was on hand when deeds like this
Were to be done. He had at his command,
The roads that to the mountains led, and his
Proud boast was that he “could at all times land
His expeditions, and not go amiss,”
And, it must be confessed by all, that he
Made good his boast, and never lost a fee.

Toward distant hills now Hanks was soon away
With Lena; still she knew not where she went.
Her surly escort had no word to say;
But kept his ugly eyes before him bent,
While glances from their depths of cruel gray,
Such chills of fear through Lena’s being sent
That she dared not risk one inquiring look;
But feigned good heart, though she with terror shook.

She even strove to force a pleasant smile,
When Hanks once turned to touch her bloodless cheeks
As rough as sea foam though his face the while,
The poor girl thought that she could see faint streaks
Of kindness showing from beneath the pile
Of human rubbish which this fact bespeaks;
The light of soul in woman’s eyes expressed
Will conquer man, — will brutal force arrest.

In striving to be gallant, Hanks was coarse;
He moved his hands as “Bruin” moves his feet,
His whispers low but made his words more hoarse,
As waves sound harsher that in dark caves beat.
So burly an excrescence of uncouth force,
He still had heart, and Lena’s accents sweet
Had touched him. She was gentle, proud, but pretty;
And admiration stilled the voice of pity.

I’ve read of Daniel being with lions penned;
And I have heard the legend of a cage
Of wild beasts that would not a virgin rend,
Who was cast in; but, in this prosy age,
When wealth replaces angels as man’s friend,
When gods and miracles have quit the stage,
It should be treasured in undying song,
That Hanks said: “Lena, you’ve been treated wrong.”

And then he held and stroked her trembling hand,
And patted it, upon his rugged knee.
The hours went by till Night had waved her wand
Of darkness o’er the world, and rock and tree
In darker forms, like giants, rose to stand
Along their way; but Lena’s heart beat free;
And nestling near her keeper, kind but coarse,
She felt no terrors from whatever source.

But times were stormy on the old plantation.
Ill news on eager wings had spread uproar:
The Negroes raised a mighty lamentation,
And went about the outrage to deplore.
“Lena was sold!” Ah! now was tribulation,
And Grief began a rain of tears to pour.
The master watched the storm that he had made;
But trusted that it soon would be allayed.

The old men muttered prayers and went about,
Or stood dejected, heeding naught, nor speaking.
Old women sobbed and moaned and then shrieked out, —
Outspoken anguish kept their hearts from breaking.
But braver spirits here and there would shout
Their imprecations upon “all de sneaking
Ole niggah buyers dis side ob de Devil!”
But strange to say, poor souls, they spoke no evil

Of their “ole Massa,” who had made the sale.
Well, such is life. We oft lose sight of cause,
And o’er effect set up a noisy wail;
Too oft oppose the gathering stream by laws;
When at the source wise actions should prevail.
But Lena’s master made of proud stuff was;
He vowed — the act if wrong, was his own doing, —
His way was his, and of his own pursuing.

And night came on. Earth-jarring thunders roared
And rolled afar. Behind the inky banks
The sun had sunk in terror. Up, up soared
The scurrying clouds and spread like serried ranks
With murky banners flying, — swirled and poured
Through lurid arches, — while demoniac pranks
The vivid lightnings cut and onward came,
Stabbing the darkness with their spears of flame.

Young Maury’s horse was saddled at the gate.
In vain the Negro servants with him plead;
His father called to him in vain to wait.
He waved all back and sternly shook his head.
“This night be the black herald of the fate
Which waits him who opposes me,” he said;
“And but for age and blood, my sire, I’d wreak
Swift vengeance on your head — but you are weak.”

With tears, his mother stayed him in the door;
He kissed her, passed, and at a single bound,
Into his saddle sprang. “By Heaven,” he swore,
“I’ll bring her back!” and wheeling short around,
His roweled heels against his horse he bore,
That forward sprang, and, flying, spurned the ground.
And through the dark, these words, impassioned, clear,
“I’ll bring her back,” fell on the listener’s ear.

And on, right onward toward the hills he shot;
On, on, and on; till, miles and miles away,
He drew his reins upon an abrupt spot,
Where rocks and fallen trees around him lay;
And o’er him rose a cliff, — an inky blot
On outer darkness; when he heard the play
Of angry waters seething far below;
And, scorning danger, could no farther go.

He could not see ahead; would not retreat;
But gave his horse the reins and gently urged.
The horse reached down and smelt about his feet;
Snorted and wheeled and like a tempest surged.
But Maury grasped the reins and held his seat,
Until his curb-defying horse had forged
And plunged off in the darkness. Then a crash
Of thunder seemed the mountain tops to slash

Away, and pile the tumbling cliffs around.
The distant peaks in startled haste replied,
And peaks more distant still took up the sound;
Till darkness hushed, — in awful stillness sighed,
And throbs of terror shook the trembling ground.
“Hold on thar, stranger,” now a cotter cried;
Who in his doorway heard the horse dash by.
And Maury turned to see whence came the cry,

And to his joy he found an open door
For man and beast the cotter soon found rest, —
And then he took his baby from the floor,
And tossed him high and held him on his breast.
And said: “Now, stranger, we be mighty poor;
But you are welcome to our little nest;”
And then there was no heed to outside din, —
For only peace and sunshine reigned within.

The baby pulled his father’s beard till drops
Stood in his eyes as big as morning dew.
The father tossed him almost to the tops
Of the low rafters, — still the baby crew.
“Pull, pull,” the mother cried, “till papa stops.”
And while their guest looked on, they never knew
That in his heart a wilder tempest beat
Than that which shook the mountain in its seat.

The morning came with not a cloud in view,
And Maury was again upon his way.
The birds were everywhere in brilliant hue,
And thrilled the forests through the livelong day.
With hours of vain pursuit he weary grew,
To chagrin and conflicting fears a prey.
But Hanks with Lena, as the sun went down,
Had reached the outskirts of a country town.

They saw few people on the one quaint street
That straggled through the town from side to side;
And idlers lounged on here and there a seat, —
A bench or box, — and the new-comers eyed.
But soon they yawned and struggled to their feet,
And round the buggy stretched their necks and pryed.
But Lena turned away her modest face,
And drooping eyes, — a blushing rose of grace.

“I know,” one drawled, while all the others gaped;
“I’ll bet a shuck that she’s that feller’s bride!”
Then he looked wise and all the others aped
His stupid looks and fell back satisfied.
But Lena through a gateway had escaped,
With Hanks in rugged chagrin at her side, —
And thence he up the graveled driveway led,
Where dark magnolias round their curtains spread.

An old slave in his doorway bowing stood,
A statue of the meek in ebony;
And at his side, an image of the good,
His dark old wife was peering out to see;
And when the strangers paused as if they would
Her cabin enter, struck with awe was she.
While her old partner, raising both hands, cried:
“Good Lawdy Massa! who’s dat at yo’ side?”

“Jes’ look, ole ‘oman, dats er ainjul sho’.”
“Young Missus, whar’d you come from? From de skies?
Hit pears to me I’ze seen dat face befo’.
God bress dat lubly mouf and dem sweet eyes!
An’ would you stop here at de ole man’s doah?”
And thus in his delight, mixed with surprise,
This sable patriarch of slavery days,
Would have expressed his uncouth, heartfelt praise,

Embarrassing with exclamations strange
And interjections meek, his gentle guest;
But Hanks withdrew his feelings from the range
Of these sweet motives in the old man’s breast;
And spurning e’en a kind word to exchange,
The old spouse in the doorway thus addressed:
“This here’s your master’s niggah house-gal, aunty;
She’ll stop till after supper in your shanty.”

“‘Er niggah house-gal!’ Wuz dat whut he said?”
The old man seemed to ask with wondering eyes;
And then he paused and slowly shook his head,
And muttered: “You’s done took me by surprise,
You sho iz, Massa; fur if I didn’t dead
Sho think she wuz er lady! But I tries” —
Hanks kicked a dog that came about his legs; turned
And blurted out: “Why don’t you keep these durned,” —

But now the dog’s howls drowned the voice of Hanks;
And Lena, frightened, sprang in at the door;
When swarms of pickaninnies, breaking ranks,
Round cabins flew. “Get supper; say no more,”
Hanks thundered. “Thank you, Massa! Thank you! Thanks!
Obejunce to you; shorely, to be shore!”
The old slave cried: “De supper shall be got;
Be soonly, ‘Liza, an’ put on de pot.”

Hanks “knew his route;” he had brought slaves before,
To Major Royall; so, to him he went,
Delivered him the message which he bore,
And got his fee and a fine compliment.
For Major Royall was “delighted more
Than tongue could tell;” since he had long been bent
On “owning that tall girl with big blue eyes,
Whom Maury’s people seemed so much to prize.”

Then Lena threw herself across the bed,
And vainly sought to find her needed rest.
She heard all that the good old people said,
And like a shadow hope went from her breast.
She heard, but, sadly moaning, shook her head,
And to her throbbing heart her clasped hands pressed.
And while the dead walls drank her bitter sighs,
The streams of anguish rolled down from her eyes.

But I shall not tell how she wept all night,
How grief no respite found in raining tears,
How, in the morn, the master passed in sight,
With surly looks that filled her soul with fears;
How her old friends had prayed in mournful plight,
And whispered words of comfort in her ears;
Nor how the pickaninnies hung about,
Their big white eyes with wonder bulging out.

I shall not say how long and late she heard
A fiddle snoring an old cabin tune;
A banjo’s “plunk, plunk, plunk,” unskilled and weird;
And thumping heels that shuffled off “Zip Coon;”
But night crept by and tardy morn appeared,
A brilliant dawning in a Southern June.
And that were better, for I could not bear
To tell of Lena’s grief, — nor you to hear.

But day went by and on came sable eve,
With hints of slumber in her tranquil eyes.
And at her loom the sunset sat to weave
Gay edgings for the curtains of the skies.
And Lena’s heart almost forgot to grieve,
As smiling Hesperus was seen to rise
Through woody tops — magnolias dark and pines —
And lead night’s hosts from utmost Heaven’s confines.

But in the shadows there was mystery —
A breath of mischief, and impending harm;
A whisper and an air of secrecy;
A sense of fear that hung about the farm;
A presence which one felt but could not see,
That startled Lena, — filled her with alarm;
Adn when she thought of home so far away,
Her poor heart sank, — she could not even pray.

Word from the “great house” came — a master’s call —
He wanted Lena, and she must obey.
“He wanted to talk with her, — that was all,”
The old slave said, and meekly led the way
Through wide grounds, up great steps and through a hall
To where the master’s wont was most to stay
At night; a room with sideboard, cups and — well
You know the rest, and so I need not tell.

He filled a glass, held it before his eyes,
Then drank, and handed his old slave a drink;
Who took the glass and bowed beseechingly,
But durst not once of a refusal think.
But Lena did refuse, and with a sigh
Which showed her near revolt’s abruptest brink.
And when her dark old friend had turned to go,
She, too, rose up. Then cried her master, “No.”

“I have a word with you, and you’re to wait;
I must acquaint you with your proper station.
At Colonel Maury’s, I right here may state,
You had your own way; but on this plantation
I rule, and every nigger must walk straight
Or I will bring him to the situation.
But, at the same time, you need have no fear,
If you will but obey me — do you hear?”

“I don’t indulge my niggers — never do;
I tell them what to do, and they must do it.
I feed them, clothe them, and I work them, too;
And if they disobey me, they must rue it.
But I shall have no need to chastise you;
Even to scold a pretty girl like you,
‘Twould be a shame, much more to have to strike you!
I’ll tell you what, e’en now I really like you.”

“I did n’t buy you for a common field hand;
I don’t intend that you work out of doors;
But you’re to keep house for me — understand?
Be in my room here, make my bed — do chores,
And just obey me — be at my command.
And anything you want, it shall be yours;
And if you’ll be good tempered you will find,
That Chester Royall can be all that’s kind.”

“Now, Maury is my friend; and when he praised you,
I promised him that I would treat you right —
That is, would show the care that’s always due
A girl who is obedient and polite.
He told me that his wife had strictly raised you,
And that you always had been very bright;
And I am glad that you have had good raising;
For that, of all things, most deserves our praising.”

“A man could love a girl like you; in fact,
I would n’t hardly be ashamed to have
It said that I like you.” And in the act
Of patting now the fair cheek of his slave,
He moved, but she avoided him with tact
As sweetly proper as ’twas truly brave;
And faced him straight, when he, half smiling, said:
“Tut, tut, you silly thing; are you afraid?”

She frowned. He was amazed — he could not speak.
A storm was brewing in his baffled mind;
The blood-like liquid flame rushed to his cheek,
And clouds of gath’ring wrath had made him blind.
He seized her hand and pressed, but he was weak,
And in his desperation would be kind;
And so he paused and hesitating stood;
But, at the bottom, fury filled his blood.

But words were lost, now aimed at Lena’s ear;
Her master coaxed — she drew her hand away.
She heard him talking, yet she did not hear;
Her soul was loathing all he had to say.
The object of his craven heart was clear;
And, though she was his slave, she spurned him — yea
She turned upon her heel as if to go;
But, with a husky growl, he muttered, “No.”

Then Lena threw the shutters wide to look;
A moon, full-orbed, was rolling in mid-sky.
And with its dulcet tones a pebbly brook
Said strange, weird things as it meandered by.
A dark magnolia, near her leaning, shook
Its list’ning head, and night winds seemed to sigh,
As if they knew that someone was distressed.
Then Lena felt an arm around her pressed.

She wheeled, then sprang, and threw the arm from her;
And from her splendid shoulders tossed her hair.
She turned upon him, pointing, spoke out: “Sir,
Begone from me.” Superb in her despair,
She stood so firmly that he feared to stir.
But now she reeled — she sank upon a chair —
And with her hands upon her downcast eyes,
With greatest effort she restrained her cries.

The “Major” moved to lift her from her seat;
She felt his touch that half an appeal meant;
She threw his hands off, bounded to her feet,
And through the doorway like an arrow went.
Ah! then her master’s wrath was at “white heat.”
To her receding ears this threat he sent:
“I’ll make you know!” and followed where she flew,
Declaring in his rage what he would do.

But on she went — on to the cabin sped.
The aged inmates met her at the door;
She brushed them by. “Good Lawd!” the old man said,
And followed her across the creaking floor
To where she threw herself upon a bed;
When his old spouse began to thus deplore:
“I knowed it, Andy, I’se don’ tole you so;
Ole Massa’s drunk — ef dat aint like him — sho!”

There Lena rested but a breathing spell;
Upon her closely came pursuing fate;
Her master’s footsteps on the threshold fell,
And in his speech she heard hoarse anger grate.
The beast would seize his prey — she knew it well;
The instant was supreme — she must not wait —
She rose, she sprang, she faced him as before;
Threw him aside and darted from the door.

On, on she ran, — out in the night alone;
With broken accents of a hasty prayer;
A sob, a sigh, and then a bitter moan,
She uttered on the night’s lamenting air.
But on, still on she went through fields unknown
To her, through woods and lanes, not caring where.
To flee brought her relief, for as she flew
The friendly darkness hid her form from view.

In her distress there was a constant flow
Of courage to the heart that else would break.
The darkling objects round her seemed to know,
And whisper something for a poor girl’s sake.
Beset with dangers, thus compelled to go,
She knew not where, she dared all undertake.
No forms of ill that she might thenceforth find,
Could ever equal those she left behind.

She looked above, and upward soared her thought;
Through star-sown fields to myriad gates of light.
She looked before, and silent forms were wrought
By pine and hemlock on the walls of night.
Their very stillness was with meaning fraught,
Mute witnesses they seemed of her sad plight.
But on she went, determined as a tide;
Nothing could daunt her; naught could turn aside.

“Here, Missy! dis way, Missy! come along.”
The speaker was old Andy, Lena’s friend,
Who, like an apparition, there among
The shadows rose. At first fright served to lend
Wings to her speed; but, like a thrush’s song,
The old man’s words did with such coaxing blend,
That Lena’s heart beat free — her fears were gone —
She grasped the offered hand and hurried on.

On, under hemlocks and magnolias dark,
They turned their flight which way a stream was brawling.
Across the fields they heard a watch-dog’s bark
Betray their whispers on his quick ears falling.
And so, they durst not breathe a least remark
Till where the great trees rose, their vision walling,
They reached the stream, and, finding a canoe,
Were quickly gliding where dark willows grew.

Dark rolled the stream beneath great live-oak boughs,
With mosses hung like some old hermit’s hair
And here and there the dipping oar would rouse
A night bird up, to pierce the startled air
With its strange cry. Again the shores would drowse;
But coaxing words revealed the old slave’s care
For Lena, while he bravely pulled the oar,
Till he had landed on a chosen shore.

“Here we must stop.” He breathed, and opening wide
His patient eyes with satisfaction clear,
He stepped ashore with Lena at his side.
They paused, — the old man turned a list’ning ear,
While his dark features Lena closely eyed.
There was no sound of any danger near.
“He thinks I’se come to find and bring you back!”
Said Lena’s guide, “but he’s clean off de track.”

“I seed you when you flew on up the lane,
Jes’ like er sperrit, and I kept in sight,
And so I said: ‘Ole Massa’ll not obtain
Ter seein’ dat poah gal agin to-night.'”
But here the old man turned his face again;
And, grasping Lena’s hand, pursued his flight;
Till in the shadow of a mighty wood,
Beneath a monarch tree they listening stood.

But they must part. Beneath the monarch tree,
With mosses hanging like a hermit’s hair,
They listened till the old slave said: “Now we
Must separate. I leave you in God’s care.”
And as the meek-faced dawn one now could see
Peep from the curtained east, to full and fair
Soon open into day, you might have spied
The old slave bowed, and Lena at his side.

And as they parted, in that dark old face,
Which had been thus upturned to Heaven in prayer,
There shone a light of satisfying grace,
That softened every furrow made by care.
But, day was breaking, — he must leave the place;
And Lena thence alone her way must fare.
“God bress de chile!” — the parting words were said:
The one turned back, the other onward sped.

And as old Andy went, could you have seen
Him homeward through the woods at sunrise going,
You must have felt that angels, — which have been,
According to the scriptures, busy doing
Errands of mercy, Heav’n and earth between,
And schemes of evil-doers overthrowing,
Have not all quit, are not all of them white —
Triumphant goodness winged the old man’s flight.

And looking up devoutly as he went —
(So the Apostles gazed from Judah’s hill,
Whence their Redeemer had made His ascent
To Heaven) — he prayed: “De Lawd be with her still!”
To him it all divine occurrence meant.
And so, with secret joy, he ran on, till
He reached his cabin and his master met,
Who shouted: “Andy, have n’t you found her yet?”

The old man grinned and bowed low with a groan,
Which told the fruitlessness of his pursuit
And his deep chagrin in a single tone —
Which meant: “My greatest efforts bore no fruit!”
He said: “I dunno whar she iz. I’se done!”
And then he shook his head and stood as mute
As death and looked to see his master rave.
Ah! Who could read the thoughts of that old slave?

Much I could here relate of what took place,
Of how dark clouds hung o’er the situation;
How “Major” Royall flew into the face
Of everybody on his big plantation;
Of how he “cursed and swore” that he “would chase
That ‘Lady’ to the end of all creation.”
But we must hasten onward, while we may,
And overtake the blue-eyed runaway.

She waited not; her only hope was plain —
A speedy flight. So she was quickly gone
Through forests dark — left all roads, in the main —
O’er shrub-crowned hills, and through the gorges lone.
She knew not where, but held her heart of pain,
And went, though not a ray of promise shone.
But fleeing was relief, and as she went
O’er her the roughest trees in mercy bent,

Earth hath one spot on which none may intrude,
And not invite the certain frowns of Heaven;
There loving hearts with light divine imbued,
Clasp erring ones, and there are sins forgiven.
That spot is home, however poor and rude —
The holiest shrine at which one may be shriven —
And Lena came upon this sacred spot,
Where Maury erst found shelter in a cot.

She entered, sore and wan — she could not speak.
The housewife took her hand and said: “How do?”
Long hours of ceaseless flight had made her weak;
And in her eyes the mists now dimmed the blue.
She sadly smiled, she bowed divinely meek;
And followed where her hostess tiptoed through
An inner doorway till she reached a bed,
Where Lena sank to rest her drooping head.

The woman knelt; her features were divine;
Clasped Lena’s hands, though not a word she spoke.
Her kind eyes welcomed every feeble sign
Of strength that in the poor girl’s cheeks awoke.
She looked on Lena with a face benign;
Caressed her pale brow with a tender stroke,
And softly whispered words of cheer, as she —
Lena — sank back and gasped: “I’ll soon be free!”

The cotters of the mountain hurried in —
All gazed, but no one knew the stranger’s face
Good women whispered how they saw that sin
Had in her pretty features made no trace.
Her eyes still showed how trustful they had been,
And in her cheek still blushed a rose of grace.
So words of comfort each one gently gave,
While bending kindly o’er the virgin slave.

There at her feet an old man kneeling prayed,
Till resignation lit her restful eyes,
As sunlight fills a still lake in the shade
That on the surface softly trembling lies,
Then settles till the depths are peaceful made.
Her cheeks were pale, but as when daylight dies
Out in the sky, it leaves a lingering glow,
So in her cheeks the dying flame was slow.

But now the stillness of this touching scene
Was broken by the sounds of flying feet.
Young Maury had arrived, who late had been
Urging his foam-flecked steed through dust and heat;
O’er barren hills and through the valleys green;
Till here directed to this wild retreat,
Where he at night had once been tempest bound,
The tender object of his search he found.

He knew the wife, who quickly did admit:
Then Lena’s soul, that had already heard
The summons that would bid her spirit flit,
The moment of departure now deferred;
And while a glow of recognition lit
Her sad blue eyes, she rose, she gasped a word;
And as young Maury hastened to her side,
She clasped his hand, then sank back satisfied.

Triumphant Resignation on her brow
Still sat enthroned, and made Death’s harvest mown
A golden joy. To those who watched her now
The Reaper’s pathway was with flowers strown.
The golden grain indeed was lying low,
But in the stubble precious blooms had grown;
So there we leave young Maury with his dead;
Nor ask we further, what was done or said.

Here ends the act. We let the curtain fall;
Tread softly now where sleeps the blue-eyed maid.
We’ve seen the play, and running through it all,
The thread of pathos which it must be said
Is true to life. This earth was far too small
For such a soul. But Maury, having made
Arrangements home her body to convey,
With grief too deep for tears bore her away.

The day of reckoning came. With bearing fine
O’er Lena’s corpse stood Sheldon, now of age,
And to his father said: “Give me what’s mine,
And I’ll get out, and for myself engage
In business; but I’ll never beg nor whine,
If I go empty handed. At no stage
In Life’s uncertain game will I return;
I ask of Fortune naught but what I earn!”

“To Lena I’ve been partial. I have been
No master merely, but I’ve been her friend.
God is my judge, I’ve known her not in sin,
And I’m proud of her; proud that to the end
I’ve dared to stand, with all the power within
My heart and arm, her honor to defend.
For her, my faithful playmate, pretty slave,
My love and friendship shall survive the grave!”

“In childhood once I saw a mouser spring
Upon a poor canary in its cage.
I heard its tiny plea, saw desperate wing
Resist in vain the monster’s cruel rage;
And I were guilty of a meaner thing,
Had harm befallen Lena’s tender age —
And she my slave, I should, to say the least,
Now own myself a wretch — a human beast!”

His father answered: “Son, you are a Maury;
We’ve suffered no dishonor at your hands.
I have not understood you, and I’m sorry;
Hence, I shall not now yield to your demands.
You’re brave and true, now don’t be in a hurry;
For there are other days, and he who stands
At parting of the ways, should calmly wait
Till Wisdom makes the path of duty straight”

“Before his eyes; and then he should proceed
With careful steps, reflecting as he goes,
Should coolly keep his judgment in the lead;
For streams fret most where rocks and shoals oppose,
And headstrong currents into danger speed.
No man is safe until he fully knows
That anger is an outlaw, and must be
Held in strong chains and bars perpetually.”

“Fortune, superior talents, circumstance,
Are all mere drift, upon a dizzy tide,
That whirl and bob in an unmeaning dance,
Yea, valor, breeding, and lineal pride,
Are all mere puppets, strung by aimless chance,
Unless man’s sober judgment be his guide.
So here upon the strange mysterious brink
Which men call Death, my son, let’s pause and think.”

The mother smiled and gravely shook her head.
She knew her splendid boy — she knew his will.
And then with woman, love is never dead:
Love’s treasured flowers survive the frosts which kill.
The past, to her, lies like a landscape spread,
Whose mellowed light beams but more charming still.
And though the years may change the gold to gray,
Still woman’s heart’s as young and warm as May.

And on that day no funeral bell was ringing,
But sloping in the sun, you saw the hills,
And pansied meadows where the larks were singing
Such medleys, heart-bursts, and such glorious trills —
It seemed that they from some high clime were bringing
New rend’rings of the theme of joy which thrills
All Nature, when the cortege slowly wound
Across the old farm to the burying ground.

The sinking sun across the western gap,
Had tarried to put up his golden bars;
And darkness took the valley on her lap,
And waited for the coming of the stars.
And mountain heights had now begun to wrap
Themselves in that repose which nothing mars;
That sense of resignation, which implies
A faith that finds foundation in the skies.

No useless drapings of a funeral
Like shadows hung round Lena’s resting place;
There was no mourning — no loud grief, nor pall —
But tender glories of day’s ending race,
Did o’er earth like celestial curtains fall;
And Heav’n was lovely as a maiden’s face;
While humble negroes sang a low refrain —
A burst of hope, with undertones of pain.

No priest was there to formal prayers recite;
To intonate his creeds with measured breath;
Nor aim with outreach of an earthly rite,
To put ajar the baffling gates of death
And grasp the mysteries of the Infinite;
But Faith, there whispered the sweet shibboleth
“At Rest,” while Love clasped Hope and looked before,
To joy-crowned summits of the evermore.

What if there be no dim cathedral’s aisle?
What if no deep-toned organ e’er be heard?
The soul can see its God in Nature smile,
And praise is loudest when we speak no word.
What if no sounding dome surmount the pile,
Which wealth to mock the humble poor hath reared?
Hope still sees temples in the golden mist,
With gates of light and spires of amethyst.

Yea, “nor shall altars reared of wood and stone
Appear,” said Jesus, “only on yon height;”
“Nor shall there to Jerusalem alone
Go worshipers; but such as in the light
Of truth and spirit, seek God, shall he own.”
God sees man’s heart, nor heeds his formal rite.
When day upon the flaming hills expires,
What need hath earth for man’s poor altar fires!

My temple is the sky — my High-Priest God;
“My hope and my salvation the Most High,”
Whose altar is the sun and whose ephod
Is infinite Night’s stellar harmony!
With Him, mind walks till now, as Enoch trod,
And still He talks in smoking Mount Sinai.
Yea, in the everlasting rocks we read
His law still written — His eternal creed.

Mind knows no death. Life is the “first and last.”
The falling leaf leaves its source living still;
The flower which withers in the autumn blast
Dies not, but thus escapes the winter’s chill,
And will return, through changes strange and vast,
When summoned forth to range o’er vale and hill.
Shall mind which thus perceives Life’s changes die?
Hath only matter immortality?

Mind knows no death beyond a prolonged sleep, —
Suspended action — rest by Heaven designed.
The grave, the rest for all who toil and weep,
Could ne’er have been intended for the mind.
Then who shall dread to cross the rayless deep,
And reach the vast unknown, with joy to find
Existences here dimly understood —
Too fine to be perceived by “flesh and blood?”

And “if one sleep, he doeth well,” ’twas said;
Yea, for unreckoned will the ages be
That swing their long flight o’er the sleeper’s head;
A day — a thousand years — eternity,
The same — no thought of time can e’er disturb the dead;
And when one shall have waked, new worlds to see,
He will have found, with joy and sweet relief,
That time unreckoned makes the cycles brief.

But, “if a man die, shall he live again?”
This baffling question comes from long ago.
Shall ashes only of Life’s torch remain?
The mind cries out, and Nature answers, “No!”
Ye who have heard the prophesying rain,
And seen the flowery Resurrection glow:
Ye know of better things than eye hath seen;
Ye know sere Earth is Mother of the green.

The wild moose shivers in the north land’s breath,
Where Huron’s wave upbraids the fretful shore;
The marsh fowl far to southward wandereth
And calls her tribes to milder climes explore;
All Nature seems to sigh: “Remember death,
For all the living soon shall be no more.””
But mark how Faith sweeps on with tireless wing,
To find for e’en the fowl an endless spring.

Oh! Now my soul hath found the mystic strand,
Where life and death meet like the shore and sea;
The ebb and flow — the ever-shifting sand,
Are doubts and fears which oft encompass me;
But if I pause and let Faith take my hand,
Peace fills the darkest waves of mystery;
And I can hear it in the fathoms said:
“Lo! I am with thee! Be thou not afraid.”

Let scoffers mock, let unbelief deny —
Agnosticism stolidly ignore;
Let worldly wisdom proudly ask us, “Why?”
And still the soul cries out for something more —
For something better than philosophy —
Still longs for higher joys and looks before;
And cannot rest — will ne’er contented be,
Till triumph over matter leaves mind free.

Then hail we all the spirits of the just,
With Lena we shall join them all. The mind
Now risen looks down on Life’s unmeaning dust,
And soars to higher spheres — all unconfined;
To spheres of love and duty, hope and trust;
And leaves the sordid and corrupt behind.
The Virgin is the sign of vanquished night,
Her child is born — born of the soul — the Light.

Farewell! In grandeur sinks the closing day,
And on our vision slowly fades the light;
And bygone scenes, like shadows fall away,
To settle in the blank of coming night.
The Octoroon has passed, but not for aye;
To those who have the gift of inner sight,
The spirit of all nature prophesies
A home for love and beauty in the skies.

Part II. THE SOUTHLAND’S CHARMS AND FREEDOM’S MAGNITUDE

Far in a vale among the mountains blue,
Close by a stream where roving cattle stray,
Where grand old sylvans darkly crowd the view,
And towering summits brush the clouds away;
Down where the waters, wildly rushing through
The rocks, enchant the scene with song and spray,
There round my childhood home, a cabin rude,
Wild Nature taught me Freedom’s magnitude.

There I have stood upon the precipice
That hovered awful space, and heard the leap
Of waters downward with a fearful hiss,
To thence rush onward in their angry sweep,
Like fiends contending in the fierce abyss;
And musing there in meditation deep,
I learned to reverence the Almighty Force,
Which rends the hills and shapes the water-course.

And there I’ve mused among the wood-haunts deep,
When Silence told her secrets in my ear;
When Echo startled  her midday sleep,
Would flee and mock, and flee and — disappear.
I’ve heard the harp-strings of the wild breeze give
Such music sweet as only poets hear;
While floods of bird-song filled the vibrant boughs
With meanings which no vulgar soul allows.

Here I have heard the all-consoling speech
Of mystery which fills the solitudes,
When leaves with velvet pleadings do beseech
The pensive winds to linger in the woods;
And here I’ve found the depths beyond my reach —
The depths of feeling o’er which Silence broods —
And out upon which, as upon a sea,
The Soul would venture to meet Deity.

Dear land of many a classic wood and stream,
The proud birthright of ancient families,
With mountains whose blue robes have been my dream,
In glorious compass ranged ‘neath charming skies;
Thou art a fit retreat, I fondly deem,
For those romantic loves which brave men prize,
Which clothed a wigwam with historic grace,
And charmed the cabins of an injured race.

Hail, Native land! first-born of Freedom, hail!
Maintain the foremost rank of pow’r and pride!
Thy far-ranged mountains rich with wooded vale,
And classic waters rolled in crystal tide,
Adjure thee loftily now to prevail.
Oh! Let thy sons in New World light decide
To plant for aye on Freedom’s glorious heights
The standard of triumphant equal rights.

Here Meditation found a leafy shrine,
And one could hear the thoughts of Diety
Breathed on the winds; here oracles divine
Unrolled the secrets of green mystery.
And as the waters of a fair lake shine
Beneath the sun, rippling delightfully;
So floods of thought here waved before the soul,
In visions bright, to ripple, dance, and roll.

Here Beauty spread her rich and varied store
Of woods which, blent with strength of hills sublime,
Have made the virgin forests to explore,
The lasting charm of every age and clime.
‘Twas no wild scene where aimless chance reigned o’er
The dateless lapses of unreckoned Time;
But human skill had lent enough of aid
To vie with Nature’s crowning art displayed.

A road beyond, and modest gateway led
Through wildering vistas to a dark recess,
Where interlaced with light the boughs o’er head
Like curtains hung, in wastes of loveliness.
And still beyond the farther landscape spread
Its ample fields in rich and varied dress,
Golden and green, in waving harmonies;
Wooing and wooed by Dixie’s charming skies.

Oh, direful day that saw Rebellion’s guns
On valiant Sumter opening from the land;
That saw white-handed Chivalry’s proud sons
Their country’s standard trail with impious hand;
Saw erring Carolina’s ablest ones
Invoke red war on their palmetto strand;
And, in their frenzy, send the challenge forth
That roused the legions of the loyal North.

The stars and stripes that in our standard fly,
Immortal symbols of the nation’s might,
The splendor of night’s orb-emblazoned sky,
The blue of day’s eternal depths — the white
Of Heaven’s peace and spotless purity,
And red of morn’s defiance-streaming light,
Meant nothing which that madcap State would heed,
Which vowed to spread vile slavery or secede.

Time shall set right the wrongs which man has done,
And Justice in unerring judgment reign;
Though world-wrecks pile round an extinguished sun;
And star-dust swirl in ruin’s lurid train!
The sins of man unchastened shall not run,
Despite the earth’s best valor, wealth, and brain;
Behold, God’s angel came in war’s dread form,
With all the fury of a tropic storm!

I stood where the contending armies bled —
A hundred thousand men on either side,
The past returned. Around me rose the dead,
The brazen bugles rang out far and wide;
The clouds of thund’rous battle round me spread
O’er lurid fields, where mighty chiefs did ride,
And ranks of serried steel swung into sight,
Flashing afar — an army in its might.

And there was silence in the pulsing air,
While in the noon sun fluttered banners gay —
A lull that breathed the courage of despair;
A hush which meant a pause in which to pray,
There youths whose lives had never known a care
Confronted veterans with locks of aged gray;
Before the cool glare of the veteran,
The blue-eyed youth stood dauntless, man to man.

O’er green fields, each upon his chosen steed,
The grouped commanders watched the lines swing by —
But those grim heroes had no thought to heed
The landscape’s beauty waving on the eye.
Ah, loveliness availeth naught indeed,
When Saxon valor hears the battle-cry!
And mountains rising in cerulean skies,
Can then no more avert the warrior’s eyes.

With sunny spirit and with knightly dash,
The brave young legions rode up from the South,
And