Ode to Memory, A Cambridge Scholar with no degree but exceptional skill in the artistry of the written language, Alfred, Lord Tennyson (1809 – 1892) stands among the best known as well as the most criticized poets of all time. The poet quite literally spent his entire life dedicated to pen and parchment.Records indicate that Alfred, Lord Tennyson began writing as early as five years of age and never stopped doing so.
Where his drive and passion for literature was formed is quite obviously from his family roots. His two brothers were poets (though less popular). This combined with his scholarly influences refined his skills as a blacksmith does a treasured metal.
Ode to Memory by Alfred Lord Tennyson
Ode to Memory
From the fountains of the past,
To glorify the present, oh, haste,
Visit my low desire!
Strengthen me, enlighten me!
I faint in this obscurity,
Come not as thou camest of late,
Flinging the gloom of yesternight
On the white day, but robed in soften’d light
Of orient state.
Even as a maid, whose stately brow
The dew-impearled winds of dawn have kiss’d,
When she, as thou,
Stays on her floating locks the lovely freight
Of overflowing blooms, and earliest shoots
Of orient green, giving safe pledge of fruits,
Which in wintertide shall star
Whilome thou camest with the morning mist,
And with the evening cloud,
Showering thy gleaned wealth into my open breast;
Those peerless flowers which in the rudest wind
Never grow sere,
Because they are the earliest of the year.
Nor was the night thy shroud.
In sweet dreams softer than unbroken rest
Thou leddest by the hand thine infant Hope.
The eddying of her garments caught from thee
The light of thy great presence; and the cope
Of the half-attain’d futurity,
Was cloven with the million stars which tremble
O’er the deep mind of dauntless infancy.
Small thought was there of life’s distress;
For sure she deem’d no mist of earth could dull
Those spirit-thrilling eyes so keen and beautiful;
Sure she was nigher to heaven’s spheres,
The illimitable years.
O strengthen me, enlighten me!
I faint in this obscurity,
Thou dewy dawn of memory.IV.
Come forth, I charge thee, arise,
Thou of the many tongues, the myriad eyes!
Thou comest not with shows of flaunting vines
Unto mine inner eye,
Thou wert not nursed by the waterfall
Which ever sounds and shines
A pillar of white light upon the wall
Of purple cliffs, aloof descried:
Come from the woods that belt the gray hillside,
The seven elms, the poplars four
That stand beside my father’s door,
To purl o’er matted cress and ribbed sand,
Or dimple in the dark of rushy coves,
Drawing into his narrow earthen urn,
In every elbow and turn,
O! hither lead thy feet!
Pour round mine ears the livelong bleat
Of the thick-fleeced sheep from wattled folds,
Upon the ridged wolds,
Over the dark dewy earth forlorn,
What time the amber morn
Forth gushes from beneath a low-hung cloud.
V.
Large dowries doth the raptured eye
To the young spirit present
When first she is wed,
And like a bride of old,
In triumph led,
With music and sweet showers
Of festal flowers,
Unto the dwelling she must sway.
Well hast thou done, great artist Memory.
In setting round thy first experiment
With royal framework of wrought gold;
Needs must thou dearly love thy first essay,
And foremost in thy various gallery
Place it, where sweetest sunlight falls
Upon the storied walls;
For the discovery
And newness of thine art so pleased thee,
That all which thou hast drawn of fairest
Or boldest since but lightly weighs
With thee unto the love thou bearest
The first-born of thy genius. Artist-like,
Ever retiring thou dost gaze
On the prime labor of thine early days,
No matter what the sketch might be:
Whether the high field on the bushless pike,
Or even a sand-built ridge
Of heaped hills that mound the sea,
Overblown with murmurs harsh,
Or even a lowly cottage whence we see
Stretch’d wide and wild the waste enormous marsh,
Where from the frequent bridge,
Like emblems of infinity,
The trenched waters run from sky to sky;
Or a garden bower’d close
With plaited alleys of the trailing rose,
Long alleys falling down to twilight grots,
Or opening upon level plots
Of crowned lilies, standing near
Purple-spiked lavender:
Whither in after life retired
From brawling storms,
From weary wind,
With youthful fancy re-inspired,
We may hold converse with all forms
Of the many-sided mind,
And those whom passion hath not blinded,
Subtle-thoughted, myriad-minded.
My friend, with you to live alone
Were how much better than to own
A crown, a sceptre, and a throne!
O strengthen me, englighten me!
I faint in this obscurity,
Thou dewy dawn of memory.
