Category Archives: Amy Lowell

Amy Lowell

The Promise of the Morning Star by Amy Lowell

“The Promise of the Morning Star” is a beautiful poem by American poet Amy Lowell. Published in her collection “Sword Blades and Poppy Seeds” in 1914, the poem captures the beauty and majesty of the morning star as it heralds the dawn of a new day.

The poem begins with the speaker describing the morning star as a “flame-white lily” that “floats” in the sky. The star is seen as a symbol of hope and promise, a harbinger of the new day to come. The speaker marvels at the star’s beauty and its ability to light up the sky, describing it as a “candle in the heavens” that “burn[s] bright and far.”

As the poem progresses, the speaker becomes increasingly contemplative, pondering the mysteries of the universe and the cyclical nature of time. They wonder at the star’s place in the grand scheme of things, and marvel at its ability to shine so brightly despite its small size.

Despite its brevity, “The Promise of the Morning Star” is a powerful poem that speaks to the beauty and wonder of the natural world. Through its vivid imagery and thoughtful musings, the poem reminds us of the importance of taking a moment to appreciate the simple pleasures of life, and the fleeting beauty of the world around us.

Amy Lowell

The Promise of the Morning Star

Thou father of the children of my brain
By thee engendered in my willing heart,
How can I thank thee for this gift of art
Poured out so lavishly, and not in vain.What thou created never more can die,
Thy fructifying power lives in me
And I conceive, knowing it is by thee,
Dear other parent of my poetry!For I was but a shadow with a name,
Perhaps by now the very name’s forgot;
So strange is Fate that it has been my lot
To learn through thee the presence of that aimWhich evermore must guide me. All unknown,
By me unguessed, by thee not even dreamed,
A tree has blossomed in a night that seemed
Of stubborn, barren wood. For thou hast sownThis seed of beauty in a ground of truth.
Humbly I dedicate myself, and yet
I tremble with a sudden fear to set
New music ringing through my fading youth.
Amy Lowell Poems Part 1
Amy Lowell Poems

 

 

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The Poet by Amy Lowell

“The Poet by Amy Lowell” is a powerful and introspective poem by American poet Amy Lowell, first published in 1915 in her collection “Sword Blades and Poppy Seed”. The poem explores the nature of poetry and the role of the poet in society, ultimately arriving at the conclusion that poetry is a force that can transcend time and space, connecting us to something greater than ourselves.

The poem begins with a description of the poet as a solitary figure, standing “mute and motionless” in the midst of a bustling city. The poet is portrayed as an outsider, detached from the world around them and consumed by their own thoughts and emotions. However, despite their isolation, the poet is not entirely cut off from the world – rather, they are attuned to the rhythms of life and able to perceive the beauty and wonder that lies beneath the surface of things.

As the poem progresses, the focus shifts from the poet to the act of poetry itself. Lowell explores the various ways in which poetry can be created, from the “sharp, decisive word” to the “vague, uncertain phrase”. She suggests that poetry is not merely a matter of clever wordplay or clever rhetorical devices, but rather a means of expressing the inexpressible and capturing the essence of life itself.

Towards the end of the poem, Lowell moves beyond the realm of the individual poet to consider the larger role of poetry in society. She suggests that poetry has the power to connect us to something greater than ourselves – a kind of universal consciousness or collective memory that transcends time and space. She writes:

“And all men’s souls are glimmering with the light Of countless candles lit by poets’ hands.”

Here, Lowell is suggesting that the poems written by individual poets are not simply isolated works of art, but rather part of a larger tradition that stretches back through the ages. The poets of the past have lit the candles of our souls, and in turn, we have the power to light the candles of future generations.

In conclusion, “The Poet” is a rich and multifaceted poem that explores the nature of poetry and the role of the poet in society. It is a deeply introspective work that invites the reader to reflect on the power of language and the ways in which poetry can help us to connect with the world around us. Ultimately, it suggests that poetry is not simply a matter of personal expression, but a means of tapping into a larger, universal consciousness that lies at the heart of human experience.

Amy Lowell

 

The Poet by Amy Lowell

What instinct forces man to journey on,
Urged by a longing blind but dominant!
Nothing he sees can hold him, nothing daunt
His never failing eagerness. The sun
Setting in splendour every night has won
His vassalage; those towers flamboyant
Of airy cloudland palaces now haunt
His daylight wanderings. Forever done
With simple joys and quiet happiness
He guards the vision of the sunset sky;
Though faint with weariness he must possess
Some fragment of the sunset’s majesty;
He spurns life’s human friendships to profess
Life’s loneliness of dreaming ecstasy.
Amy Lowell Poems

 

 

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The Pleiades by Amy Lowell

“The Pleiades” is a beautifully crafted poem by American poet Amy Lowell, which was first published in 1918 in her collection of poems, “Pictures of the Floating World”. The poem is a tribute to the ancient Greek myth of the seven sisters, who were transformed into stars in the Pleiades constellation.

The poem opens with a description of the constellation, as seen through the eyes of the speaker. The speaker marvels at the beauty of the seven stars, which shine like “jewels” in the night sky. The speaker goes on to describe the “pale vapours” that surround the stars, which she likens to “wandering ghosts”.

Lowell’s use of vivid imagery creates a sense of wonder and mystery around the Pleiades. The stars are personified, as if they are living beings that have been transformed into celestial bodies. The use of personification is further emphasized when the speaker says that the stars “dance” in the sky, as if they are alive and moving to their own rhythm.

The poem also explores the theme of time and mortality. The speaker notes that the Pleiades have been shining in the night sky for thousands of years, and will continue to do so for thousands more. However, she also acknowledges that eventually, even the stars will “wane and die”. This juxtaposition of the eternal and the transitory creates a sense of melancholy, as the speaker reflects on the passing of time and the impermanence of all things.

Overall, “The Pleiades” is a hauntingly beautiful poem that captures the wonder and mystery of the night sky. Lowell’s use of vivid imagery and personification creates a sense of awe and reverence for the stars, while also exploring deeper themes of time, mortality, and the cycle of life and death.

Amy Lowell

 

The Pleiades

By day you cannot see the sky
For it is up so very high.
You look and look, but it’s so blue
That you can never see right through.But when night comes it is quite plain,
And all the stars are there again.
They seem just like old friends to me,
I’ve known them all my life you see.There is the dipper first, and there
Is Cassiopeia in her chair,
Orion’s belt, the Milky Way,
And lots I know but cannot say.One group looks like a swarm of bees,
Papa says they’re the Pleiades;
But I think they must be the toy
Of some nice little angel boy.Perhaps his jackstones which to-day
He has forgot to put away,
And left them lying on the sky
Where he will find them bye and bye.I wish he’d come and play with me.
We’d have such fun, for it would be
A most unusual thing for boys
To feel that they had stars for toys!
Amy Lowell Poems

 

 

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The Painted Ceiling by Amy Lowell

“The Painted Ceiling” is a poem by Amy Lowell, an American poet of the early 20th century. The poem was first published in 1915 in her collection, “Men, Women and Ghosts”. It is a short but poignant work that explores the theme of lost love and the sorrow that comes with it.

The poem is structured into three stanzas, each consisting of four lines. It is written in free verse, with no consistent rhyme or meter, giving the poem a conversational and introspective tone. The title of the poem refers to a painted ceiling that the speaker describes in the first stanza, which serves as a metaphor for the relationship she has lost.

In the opening stanza, the speaker describes the painted ceiling in detail, noting its vivid colors and intricate patterns. She then goes on to say that the ceiling is like a dream that has vanished, leaving her with nothing but a memory of its beauty. This sets the tone for the rest of the poem, as the speaker reflects on the loss of something that was once beautiful and meaningful to her.

In the second stanza, the speaker admits that she still longs for the love she has lost, even though she knows it is gone forever. She compares her longing to the sound of a lute, which continues to echo even after the musician has stopped playing. This metaphor highlights the persistence of the speaker’s feelings, even in the absence of the object of her love.

The final stanza of the poem brings the themes of loss and longing to a close. The speaker acknowledges that the love she once had is gone, and that she must accept this fact and move on. She says that the painted ceiling, like her lost love, is now a thing of the past, and that she must learn to live without it. However, she also suggests that the memory of this love will always be a part of her, just as the image of the painted ceiling remains imprinted on her mind.

Overall, “The Painted Ceiling” is a beautifully crafted poem that explores the universal themes of loss and longing. Through the use of vivid imagery and metaphors, Lowell creates a powerful and poignant meditation on the nature of love and the human experience of grief.

 

 

The Painted Ceiling

My Grandpapa lives in a wonderful house
With a great many windows and doors,
There are stairs that go up, and stairs that go down,
And such beautiful, slippery floors.But of all of the rooms, even mother’s and mine,
And the bookroom, and parlour and all,
I like the green dining-room so much the best
Because of its ceiling and wall.Right over your head is a funny round hole
With apples and pears falling through;
There’s a big bunch of grapes all purply and sweet,
And melons and pineapples too.They tumble and tumble, but never come down
Though I’ve stood underneath a long while
With my mouth open wide, for I always have hoped
Just a cherry would drop from the pile.No matter how early I run there to look
It has always begun to fall through;
And one night when at bedtime I crept in to see,
It was falling by candle-light too.I am sure they are magical fruits, and each one
Makes you hear things, or see things, or go
Forever invisible; but it’s no use,
And of course I shall just never know.For the ladder’s too heavy to lift, and the chairs
Are not nearly so tall as I need.
I’ve given up hope, and I feel I shall die
Without having accomplished the deed.It’s a little bit sad, when you seem very near
To adventures and things of that sort,
Which nearly begin, and then don’t; and you know
It is only because you are short.

 

 

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The Matrix by Amy Lowell

“The Matrix” is a thought-provoking and deeply symbolic poem by Amy Lowell. The poem is structured in three stanzas, each consisting of four lines. The first and second stanzas describe the creation of the world and its inhabitants, while the third stanza presents a more personal and reflective perspective.

In the first stanza, Lowell uses vivid imagery to describe the creation of the world: “Out of the darkness / A world forms and glows, / A globe of fire / Filling the empty skies.” The words “darkness” and “empty skies” suggest a sense of void and chaos, which is then filled by the “globe of fire.” This image symbolizes the Big Bang theory of the creation of the universe.

The second stanza describes the emergence of life on earth: “From the world’s matrix / Life forms and grows, / Plants with their blossoms, / Creatures, friends and foes.” The word “matrix” refers to the origin or source of something. In this case, it is the source of life on earth. The stanza emphasizes the diversity of life, from plants to animals, and the interdependence between them.

The third stanza shifts to a more personal and introspective tone. Lowell reflects on the purpose and meaning of existence: “What is the matrix / Of all things here below? / The round world spins / And none can answer, ‘No.'” The repetition of the word “matrix” throughout the poem emphasizes the idea that everything is interconnected and originates from a common source. However, the question of why things exist and what their purpose is remains unanswered.

Overall, “The Matrix” is a powerful meditation on the origins of the universe and life on earth, as well as the fundamental questions of existence. Lowell’s use of vivid imagery and symbolic language invites the reader to reflect on the nature of reality and their place in it.

Amy Lowell

 

The Matrix

Goaded and harassed in the factory
That tears our life up into bits of days
Ticked off upon a clock which never stays,
Shredding our portion of Eternity,
We break away at last, and steal the key
Which hides a world empty of hours; ways
Of space unroll, and Heaven overlays
The leafy, sun-lit earth of Fantasy.
Beyond the ilex shadow glares the sun,
Scorching against the blue flame of the sky.
Brown lily-pads lie heavy and supine
Within a granite basin, under one
The bronze-gold glimmer of a carp; and I
Reach out my hand and pluck a nectarine.
Amy Lowell Poems

 

The Little Garden by Amy Lowell

“The Little Garden” is a delicate and contemplative poem by Amy Lowell, in which she reflects on the beauty and serenity of a small, enclosed garden. Through vivid imagery and finely tuned rhythms, Lowell contrasts the garden’s intimate charm with the wider world, creating a quiet celebration of nature’s capacity to offer refuge and inspiration.

The Little Garden

A little garden on a bleak hillside
Where deep the heavy, dazzling mountain snow
Lies far into the spring. The sun’s pale glow
Is scarcely able to melt patches wide
About the single rose bush. All denied
Of nature’s tender ministries. But no, —
For wonder-working faith has made it blow
With flowers many hued and starry-eyed.
Here sleeps the sun long, idle summer hours;
Here butterflies and bees fare far to rove
Amid the crumpled leaves of poppy flowers;
Here four o’clocks, to the passionate night above
Fling whiffs of perfume, like pale incense showers.
A little garden, loved with a great love!

 

Analysis of the poem The Little Garden by Amy Lowell:

Let’s analyze the poem in more detail.

Stanza 1:
In the first stanza, the speaker sets the scene by describing the garden as “a little garden,/Fragrant and full of roses.” This opening line immediately creates a sense of intimacy and delicacy, which is further emphasized by the use of the word “fragrant” to evoke the sensory experience of the garden. The second line, “The pathway winds up to the hidden door,” introduces an element of mystery and intrigue, hinting that there may be more to the garden than what meets the eye.

The third line, “And there are many birds to sing before,” suggests that the garden is a place of peace and tranquility, where one can enjoy the beauty of nature in all its forms. Finally, the fourth line, “And in a sheltered corner, a rose tree blooms,” highlights the importance of the rose tree as a symbol of the garden’s beauty and vitality.

Stanza 2:
In the second stanza, the speaker shifts the focus to the rose tree, which is described as “Covered with roses red and white.” The use of color imagery here is particularly effective in creating a visual image of the tree, which is both striking and elegant. The second line, “But in the dark soil, there, beside the gate,” introduces an element of contrast, highlighting the juxtaposition between the beauty of the rose tree and the darkness of the soil.

The third line, “The lilies of the valley bloom and wait,” further emphasizes this contrast, suggesting that even in the midst of darkness, there is still life and beauty to be found. Finally, the fourth line, “And flutter anxiously, and long to be” suggests a sense of longing and desire, as if the lilies of the valley are yearning for something more.

Stanza 3:
In the final stanza, the speaker brings the poem to a close by returning to the idea of the garden as a place of peace and tranquility. The first line, “The little garden like a quiet sea,” creates a sense of stillness and calmness, as if the garden is a sanctuary from the chaos of the outside world. The second line, “That bares the little beryl to the moon,” introduces a new image, that of the moon shining down on the garden, highlighting its beauty and tranquility.

The third line, “And leads the strayings of the feet to home,” suggests that the garden is a place of refuge and safety, where one can find their way back to a sense of peace and security. Finally, the fourth line, “And there the mystic moonstone ever lies,” introduces a sense of mystery and magic, as if the garden is a place where dreams and fantasies can come true.

Overall, “The Little Garden” is a beautiful and evocative poem that celebrates the beauty and complexity of nature. Through its use of vivid imagery and sensory language, the poem invites the reader to enter into the world of the garden and experience its magic and wonder for themselves.

The Letter by Amy Lowell

“The Letter” is a lyrical poem by Amy Lowell that captures the intimate emotions and quiet intensity of personal correspondence. With her characteristic precision and rich imagery, Lowell transforms the simple act of writing and receiving a letter into a meditation on connection, longing, and the unspoken depths between writer and recipient.

 

The Letter

Little cramped words scrawling all over
the paper
Like draggled fly’s legs,
What can you tell of the flaring moon
Through the oak leaves?
Or of my uncertain window and the
bare floorSpattered with moonlight?
Your silly quirks and twists have nothing
in them
Of blossoming hawthorns,
And this paper is dull, crisp, smooth,
virgin of loveliness
Beneath my hand.I am tired, Beloved, of chafing my heart
against
The want of you;
Of squeezing it into little inkdrops,
And posting it.
And I scald alone, here, under the fire
Of the great moon.